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As you walk down this shadowy street of my (your) memory, pay attention to your body and the breeze going past, the way I (you) shudder as a leaf blows or a shadow rolls past – from the car, a train, a carousel in the distance. Reach into my (your) pocket for a trinket or a token from that time – when was it? Ndash; long ago yet not so long, for this object is right here in my (your) hand. How does it feel? This is the space of that memory. 2014 adriennewestwood Contact Me.

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Adrienne Westwood

106 N●●●●●n Ave

Bro●●●lyn , New York, 11222

United States

1.91●●●●6785
ad●●●●●●●●●●●●●●●@gmail.com

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Adrienne Westwood

106 N●●●●●n Ave

Bro●●●lyn , New York, 11222

United States

1.91●●●●6785
ad●●●●●●●●●●●●●●●@gmail.com

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Adrienne Westwood

106 N●●●●●n Ave

Bro●●●lyn , New York, 11222

United States

1.91●●●●6785
ad●●●●●●●●●●●●●●●@gmail.com

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As you walk down this shadowy street of my (your) memory, pay attention to your body and the breeze going past, the way I (you) shudder as a leaf blows or a shadow rolls past – from the car, a train, a carousel in the distance. Reach into my (your) pocket for a trinket or a token from that time – when was it? Ndash; long ago yet not so long, for this object is right here in my (your) hand. How does it feel? This is the space of that memory. 2014 adriennewestwood Contact Me.
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You Are Here | adriennewestwood.com Reviews

https://adriennewestwood.com

As you walk down this shadowy street of my (your) memory, pay attention to your body and the breeze going past, the way I (you) shudder as a leaf blows or a shadow rolls past – from the car, a train, a carousel in the distance. Reach into my (your) pocket for a trinket or a token from that time – when was it? Ndash; long ago yet not so long, for this object is right here in my (your) hand. How does it feel? This is the space of that memory. 2014 adriennewestwood Contact Me.

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1

Press

http://adriennewestwood.com/styled-3/index.html

The overall effect reminded me a bit of Karinne Keithley’s. Andy Horwitz, culturebot.org. Ldquo;.Adrienne Westwood’s Record, a finely crafted progression of images layering shadow play and live-feed projection to make dancers lying on their sides appear to be "walking" upright, or dollhouse chairs on a turntable appear huge and whorling. Its two couples slip into cyclical phrases like music box figures.”. Lisa Kraus, Philly.com. Jennifer Thompson, Eye on Dance. Eva YaaAsantewaa, Infinite Body Blog. Ldquo...

2

Collaborators

http://adriennewestwood.com/page0/page0.html

Jim Briggs III (soundscape and design) is a sound designer and audio engineer based in Brooklyn, NY. He has composed scores for Adrienne Westwood and VIA Dance Collaborative since 2004. Film and television credits include. We Shall Remain, The Supreme Court. Tribeca Film Festival),. Terry Sanford and the New South. Full Frame Festival), and. Here’s the Thing. With Alec Baldwin,. And WNYC’s News programming. He was a mix engineer for WNYC’s documentary special. Innovations in Education Fund. Seth Easter (...

3

Work

http://adriennewestwood.com/styled-4/index.html

One Arm Red, DUMBO Brooklyn, 2012. Shown in development at. Curated by Donna Faye Burchfield in The Philly Fringe, 2011. Dance New Amsterdam Presents obJECT:OBject, NYC, 2011. Great Friends Dance Festival, Newport, RI, 2011. The American Dance Festival, Durham, NC, 2010. The 92nd Street Y/Harkness Dance Center Fridays at Noon, NYC, 2010. Bull;••. The LABA Theater at The 14th Street Y, 2011. The Firkin Crane, Cork, Ireland. Movement Research at the Judson Church, NYC, 2011. Curated by Donna Faye Burchfield.

4

Bio

http://adriennewestwood.com/styled/index.html

I am a Brooklyn-based dance artist. My work has been presented at Jacob's Pillow, the CCN-Ballet de Lorraine (Nancy, France), The WUK (Vienna), The Firkin Crane (Cork, Ireland), the McCallum Theater (California), the East Street Theater (Massachusetts), Island Moving Company at The Great Friends Meetinghouse (Rhode Island), in. Was presented at the Ailey Citigroup Theater and Jacob's Pillow in 2008-2009, and. My vertical and deep relations trace their way back to Eastern Europe and England. In my mem...

5

You Are Here

http://adriennewestwood.com/index.html

As you walk down this shadowy street of my (your) memory, pay attention to your body and the breeze going past, the way I (you) shudder as a leaf blows or a shadow rolls past – from the car, a train, a carousel in the distance. Reach into my (your) pocket for a trinket or a token from that time – when was it? Ndash; long ago yet not so long, for this object is right here in my (your) hand. How does it feel? This is the space of that memory. 2014 adriennewestwood Contact Me.

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You Are Here

As you walk down this shadowy street of my (your) memory, pay attention to your body and the breeze going past, the way I (you) shudder as a leaf blows or a shadow rolls past – from the car, a train, a carousel in the distance. Reach into my (your) pocket for a trinket or a token from that time – when was it? Ndash; long ago yet not so long, for this object is right here in my (your) hand. How does it feel? This is the space of that memory. 2014 adriennewestwood Contact Me.

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