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Inferno: Canto 1 -- The Dark Wood

Inferno: Canto 1 - The Dark Wood. Friday, September 24, 2004. Inferno: Canto 1 - The Dark Wood. The introduction to the. Is unique in the. The other two books each being introduced by the one preceding it. Its purpose is not only to introduce the. Is that the pilgrim traveler will enter into communion with God, and that promise extends to each of us beginning our journey through hell. Posted by Sebastian Mahfood at 8:58 PM. Saint Louis, Missouri, United States. View my complete profile.

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Inferno: Canto 1 -- The Dark Wood | canto001.blogspot.com Reviews
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Inferno: Canto 1 - The Dark Wood. Friday, September 24, 2004. Inferno: Canto 1 - The Dark Wood. The introduction to the. Is unique in the. The other two books each being introduced by the one preceding it. Its purpose is not only to introduce the. Is that the pilgrim traveler will enter into communion with God, and that promise extends to each of us beginning our journey through hell. Posted by Sebastian Mahfood at 8:58 PM. Saint Louis, Missouri, United States. View my complete profile.
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Inferno: Canto 1 -- The Dark Wood | canto001.blogspot.com Reviews

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Inferno: Canto 1 - The Dark Wood. Friday, September 24, 2004. Inferno: Canto 1 - The Dark Wood. The introduction to the. Is unique in the. The other two books each being introduced by the one preceding it. Its purpose is not only to introduce the. Is that the pilgrim traveler will enter into communion with God, and that promise extends to each of us beginning our journey through hell. Posted by Sebastian Mahfood at 8:58 PM. Saint Louis, Missouri, United States. View my complete profile.

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Inferno: Canto 1 -- The Dark Wood: Inferno: Canto 1 -- The Dark Wood

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Inferno: Canto 1 - The Dark Wood. Friday, September 24, 2004. Inferno: Canto 1 - The Dark Wood. The introduction to the. Is unique in the. The other two books each being introduced by the one preceding it. Its purpose is not only to introduce the. Is that the pilgrim traveler will enter into communion with God, and that promise extends to each of us beginning our journey through hell. Posted by Sebastian Mahfood at 8:58 PM. January 10, 2005 at 11:53 AM. January 10, 2005 at 2:03 PM. Adam M. Henjum. By arg...

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Inferno: Canto 1 -- The Dark Wood: September 2004

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Inferno: Canto 1 - The Dark Wood. Friday, September 24, 2004. Inferno: Canto 1 - The Dark Wood. The introduction to the. Is unique in the. The other two books each being introduced by the one preceding it. Its purpose is not only to introduce the. Is that the pilgrim traveler will enter into communion with God, and that promise extends to each of us beginning our journey through hell. Posted by Sebastian Mahfood at 8:58 PM. Saint Louis, Missouri, United States. View my complete profile.

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Inferno: Canto 1 -- The Dark Wood

Inferno: Canto 1 - The Dark Wood. Friday, September 24, 2004. Inferno: Canto 1 - The Dark Wood. The introduction to the. Is unique in the. The other two books each being introduced by the one preceding it. Its purpose is not only to introduce the. Is that the pilgrim traveler will enter into communion with God, and that promise extends to each of us beginning our journey through hell. Posted by Sebastian Mahfood at 8:58 PM. Saint Louis, Missouri, United States. View my complete profile.

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Inferno: Canto 3 -- Vestibule of Hell

Inferno: Canto 3 - Vestibule of Hell. Friday, September 24, 2004. Inferno: Canto 3 - Vestibule of Hell. Pilgrims, it is only today that we step through the gates of hell and begin to experience the moans of the damned. The beginning of Canto III greets us with a salute like that of a Nazi concentration camp: "Arbeit Macht Frei"- the irony in the German signage is that freedom came only through death. Here, in hell, which is the second death, there is no hope that peace from woe will follow.

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Inferno: Canto 4 -- Circle 1

Inferno: Canto 4 - Circle 1. Friday, September 24, 2004. Inferno: Canto 4 - Circle 1. We're at Virgil's home in hell, the circle in which reside the virtuous pagans, whom, Virgil declares, "were sinless. And still their merits fail,/ for they lacked Baptism's grace, which is the door/ of the true faith you. To Homer, the Iliad. To Horace, The Art of Poetry. To Ovid, the Metamorphoses. To Lucan, the Pharsalia. And Averroes (Ibn Roschd). Posted by Sebastian Mahfood at 9:22 PM. View my complete profile.

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Inferno: Canto 5 -- Circle 2

Inferno: Canto 5 - Circle 2. Friday, September 24, 2004. Inferno: Canto 5 - Circle 2. Could Minos instead of sentencing pause for a moment to counsel, to ask the sinners to be reconciled to G-d, to, in effect, assign some. Souls a steeper but more joyous path? In Dante, there is no hope of that, and Hamlet's resolve to kill Claudius in Act III, Scene iii, 77-100:. Now might I do it pat, now he is praying;. And now I'll do't. And so he goes to heaven;. And so am I revenged. That would be scann'd:. Posted ...

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Inferno: Canto 6 -- Circle 3

Inferno: Canto 6 - Circle 3. Friday, September 24, 2004. Inferno: Canto 6 - Circle 3. This kind of an addiction represents our appetites in a most direct way - mouth to stomach in satisfaction of the flesh. The more a person consumes, the more a person must consume to run the growing mass. Were Dante to rewrite this circle today, he would focus on other addictions of the flesh (like drug use, alcoholism, smoking) in which immoderation in appetite brought us to spiritual putrifaction.

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Inferno: Canto 7 -- Circle 4 & 5

Inferno: Canto 7 - Circle 4 and 5. Friday, September 24, 2004. Inferno: Canto 7 - Circles 4 and 5. In the same way as the gluttonous and ravenous Cerberus guarded the circle of the gluttonous and ravenous, Plutus, the great miser, guards the circle of the hoarders and wasters (the avaricious and prodigal).*. It is entirely a point of speculation on my part because I cannot find any scholarship to affirm this, but I'm developing the idea that Charon represents sexual passion and misdirected love since all...