lacuartapare.wordpress.com
Soundtrack y opening credits | la cuarta pared
https://lacuartapare.wordpress.com/2012/12/03/soundtrack-y-opening-credits
Cierra los ojos y atraviesa la cuarta pared. Soundtrack y opening credits. Deja un comentario Cancelar respuesta. Introduce aquí tu comentario. Introduce tus datos o haz clic en un icono para iniciar sesión:. La dirección no se hará pública). Estás comentando usando tu cuenta de WordPress.com. ( Cerrar sesión. Estás comentando usando tu cuenta de Twitter. ( Cerrar sesión. Estás comentando usando tu cuenta de Facebook. ( Cerrar sesión. Estás comentando usando tu cuenta de Google . ( Cerrar sesión.
nothingiswrittenfilm.blogspot.com
Nothing is Written: A Film Blog: The Godfather
http://nothingiswrittenfilm.blogspot.com/2010/08/godfather.html
My name is Groggy Dundee. My natural habitat is the cinema. In it I toil not, neither do I spin. I am a critic and commentator. I am essential to the cinema.". Thursday, August 5, 2010. As a birthday gift for my dad, I'll review one of his favorite movies. Most of the classic gangster movies -. Were short, violent movies focused on entry-level thugs shooting their way up the criminal ladder. The genre had mostly burned itself out by the '60s, occasional hits like. The St. Valentine's Day Massacre. The fi...
aschenker.blogspot.com
The Cine File: Take Me to the Promised Land: On This Season's Political Cinema
http://aschenker.blogspot.com/2012/12/take-me-to-promised-land-on-this.html
A discussion of classic and contemporary film with Andrew Schenker. Thursday, December 13, 2012. Take Me to the Promised Land: On This Season's Political Cinema. To Zero Dark Thirty. While a solid, engaging, attractively lensed piece of cinema, Gus Van Sant’s hydrofracking drama, Promised Land. Never hits the heights of the other films, offering neither the cross-cut thrills of Argo. The intelligent observation of behind-the-scenes political process of Lincoln. A troubling movie indeed. Andrew Schenker i...
aschenker.blogspot.com
The Cine File: March 2013
http://aschenker.blogspot.com/2013_03_01_archive.html
A discussion of classic and contemporary film with Andrew Schenker. Saturday, March 30, 2013. New Directors/New Films and Other "New" Stuff. It's all below. Enjoy! Molly's Theory of Relativity. Everybody Has a Plan. If I Were You. Time Out New York). New Directors/New Films Intro. The Act of Killing. The Shine of the Day. Why "Ginger and Rosa" is Sally Potter's Best Film. Lincoln, Obama and a House Divided. Profile of Mynette Louie. Review of J. Hoberman's Film After Film. Cineaste - print only). Like An...
aschenker.blogspot.com
The Cine File: August 2012
http://aschenker.blogspot.com/2012_08_01_archive.html
A discussion of classic and contemporary film with Andrew Schenker. Thursday, August 23, 2012. I was as surprised as anyone to see the outpouring of critical acclaim for Craig Zobel's Compliance. So, yeah, I didn't like the movie for reasons stated above - and below in my review. But, in other, better news, there's also Premium Rush. Also, I tried my hand at another music review. Henry Threadgill and Zooid: Tomorrow Sunny/The Revelry, Spp. Friday, August 10, 2012. Diary of Two Weeks at the Cinema. The Ho...
aschenker.blogspot.com
The Cine File: April 2012
http://aschenker.blogspot.com/2012_04_01_archive.html
A discussion of classic and contemporary film with Andrew Schenker. Wednesday, April 25, 2012. This week I reviewed a sextet of films of which the standouts are the documentary Booker's Place. And, by far the most high-profile of the lot and the film which gives this post its (somewhat strained) title, The Five-Year Engagement. Formulaic. It's a question of tweaking the formula and using the genre's dictates intelligently, tasks ably handled by Nicholas Stoller's fine rom-com. Time Out New York). A docum...
aschenker.blogspot.com
The Cine File: New Directors/New Films and Other "New" Stuff
http://aschenker.blogspot.com/2013/03/new-directorsnew-films-and-other-new.html
A discussion of classic and contemporary film with Andrew Schenker. Saturday, March 30, 2013. New Directors/New Films and Other "New" Stuff. It's all below. Enjoy! Molly's Theory of Relativity. Everybody Has a Plan. If I Were You. Time Out New York). New Directors/New Films Intro. The Act of Killing. The Shine of the Day. Why "Ginger and Rosa" is Sally Potter's Best Film. Lincoln, Obama and a House Divided. Profile of Mynette Louie. Review of J. Hoberman's Film After Film. Cineaste - print only). Turner ...
theshamemustgoon.blogspot.com
The Shame Must Go On: April 2009
http://theshamemustgoon.blogspot.com/2009_04_01_archive.html
Sunday, 26 April 2009. The notion of the ‘it’s all a dream’ or even dream sequences as a whole, have become something in cinema that is frowned upon; a cheap way of creating resolution. In a sense it’s the all-time greatest deus ex machina. However, I’d like to propose that when it is done properly it can be a beautiful and also a terrifying use of cinematic exposition. In his essay, A Free Replay (notes on Vertigo. Sunday, 12 April 2009. Funny Games U.S. Is an interesting remake to mention, as the reaso...
theshamemustgoon.blogspot.com
The Shame Must Go On: Vertigo
http://theshamemustgoon.blogspot.com/2009/04/vertigo.html
Sunday, 26 April 2009. The notion of the ‘it’s all a dream’ or even dream sequences as a whole, have become something in cinema that is frowned upon; a cheap way of creating resolution. In a sense it’s the all-time greatest deus ex machina. However, I’d like to propose that when it is done properly it can be a beautiful and also a terrifying use of cinematic exposition. In his essay, A Free Replay (notes on Vertigo. Subscribe to: Post Comments (Atom). Bristol, Somerset, United Kingdom. Love to Make Noise.
torontofilmreview.blogspot.com
Toronto Film Review: March 2015
http://torontofilmreview.blogspot.com/2015_03_01_archive.html
Toronto Film Listings, Reviews and Criticism. Friday, March 27, 2015. The Legacy of Iannis Katsahnias and The Batman Review. By the end of the Eighties Cahiers. Was becoming a different place then it was at the beginning of the decade. It was evolving, and this was a good thing, and there were new critics that were starting to impose themselves and there were new directors that were starting their careers and whose films needed to be contemplated and discussed. Of June 1999 (N.536),. To write at Cahiers.
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