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流泥

流泥 Concrete Flux is an experimental documentary unit that produces, commissions and collates works which move between the poetic and journalistic, fiction and non-fiction. All content is published in Chinese and English, in print and online. Since its first iteration in 2013, 流泥 Concrete Flux has become an unsolicited inquiry into the possibilities of an aesthetic journalism. Where aesthetics is understood as the always political, always collective act of rendering sensitive the world. Dust on our lips.

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流泥 | concreteflux.com Reviews
<META>
DESCRIPTION
流泥 Concrete Flux is an experimental documentary unit that produces, commissions and collates works which move between the poetic and journalistic, fiction and non-fiction. All content is published in Chinese and English, in print and online. Since its first iteration in 2013, 流泥 Concrete Flux has become an unsolicited inquiry into the possibilities of an aesthetic journalism. Where aesthetics is understood as the always political, always collective act of rendering sensitive the world. Dust on our lips.
<META>
KEYWORDS
1 f idelity
2 concrete flux
3 流泥是一個實驗紀錄片工作坊
4 我們製作,定做,並整理徘徊於新聞,詩意,虛構,及非小說類別邊緣的片段
5 所有作品將會以中英雙語刊登於網上及印刷版
6 自從我們二零一三年的第一次出版,流泥從事於探索唯美新聞學的政治可能性
7 因為它具有將世界變得感性的威力
8 流泥是一個有意識地涵蓋多語言的項目
9 我們的操作由自我組織,翻譯和傳播組成一個持續的過程
10 第五期 即将推出 嘴唇上的塵
CONTENT
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f idelity,concrete flux,流泥是一個實驗紀錄片工作坊,我們製作,定做,並整理徘徊於新聞,詩意,虛構,及非小說類別邊緣的片段,所有作品將會以中英雙語刊登於網上及印刷版,自從我們二零一三年的第一次出版,流泥從事於探索唯美新聞學的政治可能性,因為它具有將世界變得感性的威力,流泥是一個有意識地涵蓋多語言的項目,我們的操作由自我組織,翻譯和傳播組成一個持續的過程,第五期 即将推出 嘴唇上的塵,请注册保持联系,hello@concreteflux com,stockists,网站设计
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流泥 | concreteflux.com Reviews

https://concreteflux.com

流泥 Concrete Flux is an experimental documentary unit that produces, commissions and collates works which move between the poetic and journalistic, fiction and non-fiction. All content is published in Chinese and English, in print and online. Since its first iteration in 2013, 流泥 Concrete Flux has become an unsolicited inquiry into the possibilities of an aesthetic journalism. Where aesthetics is understood as the always political, always collective act of rendering sensitive the world. Dust on our lips.

INTERNAL PAGES

concreteflux.com concreteflux.com
1

Do We Construct the City?

http://concreteflux.com/do-we-construct-the-city.html

Do we construct the city? Or does the city construct us? On Friday 15th November at 7.30pm Concrete Flux will be hosting a screening of two short films at 家作坊 HomeShop. The first film, Lost Book Found. 1996), directed by Jem Cohen, takes a 'Flaneurist' approach to a detective film. But its focus, rather than on the who- and how-dunnit, is on the materiality of the city itself, in its monumental glory and its grimy filth, and in the power of its all-encompassing spatial configuration.

2

Launch

http://concreteflux.com/launch.html

Speakers in order of presentation:. Concrete Flux Issue 1 is on its way! We are currently working through the design process and plan to have it online on Friday 13th ominous! It should also be mentioned that the themes which emerge from these discussions will go on to inform our choice of theme for the next issue of the Concrete Flux journal. Your input is valued!

3

Issue II Launch

http://concreteflux.com/issue-ii-launch.html

Hybridity and the City: Concrete Flux Issue 2. Institute for Provocation, Beijing. How are urban spaces in China causing the mixing and mingling of different desires and needs, of traditions and new trends? And what are the offspring of this merging together of so many diverse elements? Hybridity: the assimilation of contraries , Guyanese poet Wilson Harris. The second issue of Concrete Flux, a journal on urban spaces in China, including fiction and non-fiction, photography and more, focuses on this theme.

4

Issue 1: Beijing

http://concreteflux.com/issue-1-beijing.html

Since we initiated the Concrete Flux project three months ago, we have garnered unexpected levels of interest. We received many fantastic and varied submissions for the first issue and have received much support and enthusiasm for our Beijing Design Week Project, Audio Archaeology. So, firstly, we would like to say a huge thanks to everyone who has been involved, helped us out and offered us support and encouragement.

5

流泥

http://concreteflux.com/index.html

The possibilities of these new modes of thinking will be further pushed in discussion groups to be held both online, through our newsletter, and through events. We also hope that these discussions will offer new ideas and possibilities for new collaborations amongst artists, designers, writers, photographers etc. with an interest in Chinese urban spaces. Concrete Flux is designed more as a facilitator of and platform for projects than as a project in and of itself. Globalization and Hybridity,. 14 Sept 2...

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movingcities.org movingcities.org

Interviews

http://movingcities.org/interviews

ELEMENTAL: Alejandro Aravena at ORDOS100 [2016 edit]. ELEMENTAL: Alejandro Aravena at ORDOS100 [2008 2016 edit]. Published on MovingCities, Alejandro Aravena double-interview, April-June, 2008. I had the idea before coming here in April. I basically came here to verify if it was okay to do it that way. When I got the email, or was it a phone call? Neri & Hu interview [2014]. Neri & Hu interview [2014]. Published in FRAME Magazine #98 (Mar-Apr 2014). Trace Architecture Office (TAO) interview [2013]. Some ...

movingcities.org movingcities.org

moscow | movingcities.org

http://movingcities.org/tag/moscow

Guardian Cities city bloggers. The Guardian Cities Global city bloggers. Two weeks ago, the Guardian. In collaboration with the Rockefeller Foundation. Unveiled a new section of its website Guardian Cities. To shine a spotlight on the urbanisation of the world, whilst highlighting resilience, environmental, sustainability, social, and poverty issues…. Is very pleased to be included! As such we’ve selected 45 urban images from our. Continue reading “Guardian Cities city bloggers”. Fri, 14 Feb 14. Our cont...

movingcities.org movingcities.org

VHILS | Dissecting the City [2014] | MARK magazine

http://movingcities.org/interviews/vhils-lisbon-mark-magazine-2014

VHILS: Dissecting the City [2014]. Mark Magazine#52 VHILS MovingCities. Throughout the past decade, Portuguese artist VHILS. Born Alexandre Farto [Lisbon, 1987]. Has been making a name for himself by taking apart and reassembling found objects. An exhibition at Lisbon’s Electricity Museum. Curated by João Pinharanda and aptly named ‘ Dissection. In his studio two weeks after the opening of ‘ Dissection. Debris is a prime material for me,. He says. ‘. I like to use material that has been expelled from the...

movingcities.org movingcities.org

A Fantasy on the Fringe of the Future | NAAM

http://movingcities.org/movingmemos/naam-shanghai-future-oct-publication

A Fantasy on the Fringe of the Future NAAM publication. Suhe Creek Development Shanghai (March, 2015) by MovingCities. Agazine – is a bilingual Farsi/English architecture and design magazine edited and published by the architecture students. At University of Tehran. Iran) Contributing to its most recent issue – now fully available on ISSUU. 8211; and centered around the theme of ‘On the Edge of Architecture’, MovingCities. Wrote a piece dealing with the transformation of Shanghai. One of the oldest schoo...

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家作坊 HomeShop

http://www.homeshopbeijing.org/blog

请登陆我们的网站首页 VISIT THE MAIN HomeShop SITE. 我的负能量是你的正能量,or,或者,The Grin Without The Cat 对话 dialogues. 发 在2014年秋天的七组家作坊组织者之间的 对 谈话纪录。 话题包含:有关规则的问题作为 个共同点、艺术家项 的发起与夭折、基于社区的参与式艺术VS基于社区的社会性 工作、艺术作为服务、在公开平台上找到每个 的 、以及 只死猫在民主中的 色。 Get the Flash Player. To see the wordTube Media Player. About democracy and how to bury a cat. Get the Flash Player. To see the wordTube Media Player. About eating together and being together, the experiment. Get the Flash Player. To see the wordTube Media Player. Get the Flash Player.

movingcities.org movingcities.org

Mónica Carriço

http://movingcities.org/monicacarrico

Is an architect-urbanist, researcher, and together with Bert de Muynck. She holds a master’s degree in Architecture Urban and Territorial Planning from Lisbon’s Technical University [FAUTL PT]. And is a member of the Portuguese Architects’ Guild [OA – Ordem dos Arquitectos. From 2002 until 2006, Mónica practiced architecture in Amsterdam [NL]. With One Architecture and SeARCH architects. In 2006 she moved to Beijing [CN]. Strategic and Creative Consulting / Cross-cultural Project Management /. Museum of ...

movingcities.org movingcities.org

Conferences | Moving Cities participation

http://movingcities.org/conferences

MovingCities: Life on the New Frontier Department of Architecture The University of Hong Kong. HKU, Hong Kong, March 18. MovingCities: Architecture and Change in China Department of Architecture University IUAV of Venice. IUAV, Venice, March 11. MovingCities & Shanghai USC School of Architecture [USA] HKU Shanghai Study Center, Shanghai, October 1. Urbanism, Art & Regeneration. 8211; Training Regeneration Youth. Part of YOUTH ADRINET. Italy] Santa Teresa dei Maschi Library, Bari, Italy, September 16.

movingcities.org movingcities.org

VHILS | MARK magazine #52 [OCT-NOV2014]

http://movingcities.org/movingmemos/vhils-mark-magazine52

VHILS Dissecting the City MARK magazine#52. Throughout the past decade, Portuguese artist VHILS. Born Alexandre Farto [Lisbon, 1987]. Has been making a name for himself by taking apart and reassembling found objects. He uses a multitude of materials and formats to voice his stance on the city, which he bases on his experience of living and working in Shanghai. New York, Madrid, Rio de Janeiro and Paris. VHILS now condenses his findings in his home town Lisbon. Mark Magazine#52 VHILS MovingCities. I like ...

movingcities.org movingcities.org

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流泥

流泥 Concrete Flux is an experimental documentary unit that produces, commissions and collates works which move between the poetic and journalistic, fiction and non-fiction. All content is published in Chinese and English, in print and online. Since its first iteration in 2013, 流泥 Concrete Flux has become an unsolicited inquiry into the possibilities of an aesthetic journalism. Where aesthetics is understood as the always political, always collective act of rendering sensitive the world. Dust on our lips.

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