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ethnisual | A critical lens on visual anthropology

A critical lens on visual anthropology

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ethnisual | A critical lens on visual anthropology | ethnisual.wordpress.com Reviews
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ethnisual | A critical lens on visual anthropology | ethnisual.wordpress.com Reviews

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A critical lens on visual anthropology

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What stillness cannot evoke | ethnisual

https://ethnisual.wordpress.com/2013/01/25/what-stillness-cannot-evoke

A critical lens on visual anthropology. What stillness cannot evoke. January 25, 2013. My post on Leni Riefenstahl’s photos of the Nuba can be found at the following link. WordPress keeps erasing it when I try to post it here. This entry was posted in Weekly entries. And tagged 3 dimensionality. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out.

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iuliafvacaroiu | ethnisual

https://ethnisual.wordpress.com/author/iuliafvacaroiu

A critical lens on visual anthropology. What stillness cannot evoke. January 25, 2013. My post on Leni Riefenstahl’s photos of the Nuba can be found at the following link. WordPress keeps erasing it when I try to post it here. Posted in Weekly entries. January 20, 2013. Coming from a University with an important background in social aid or, rather, teaching about social aid, you only ever get one perspective of the homeless. It’s always. Are the ones who are hungry,. Nanook meets North Korea. His acclaim...

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Week 4: The Language of Photography – Whose Language? | serendipityscraps

https://serendipityscraps.wordpress.com/2013/02/19/week-4-the-language-of-photography-whose-language

A Visual Anthropology Blog. Week 4: The Language of Photography Whose Language? I have always tended to envision photography (the visual) and language (the verbal) in terms of a relationship, rather as an exchange in the sense given by Victor Burgin, in which photography is a complex of exchanges between the verbal and the visual (in Mitchell, 1994: 282-3 [1]. While browsing through the POYi (Pictures of the Year International) the 70th Winners list [2]. Which is not accompanied by language? And if you m...

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Week 6: The Fiction of Reality. Through Vertov’s ‘Kino-Eye’ | serendipityscraps

https://serendipityscraps.wordpress.com/2013/04/12/week-6-the-fiction-of-reality-through-vertovs-kino-eye

A Visual Anthropology Blog. Week 6: The Fiction of Reality. Through Vertov’s ‘Kino-Eye’. Watching Vertov’ Man with a Movie Camera. For the second time, I found it strangely ethnographic in the sense used by Vaughan (1992) [i]. Namely, Vertov in the position of a cine-anthropologist , but paradoxically not because of his neutrality in documenting ( Documentary and its obsession with realism ) but more because of his structure of reality through editing and montage. Extract from Vertov’s Manisfesto –.

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Week 9 Play and Revelation: Rouch’s Chronique d’un été and Mads Brügger’s Ambassador | serendipityscraps

https://serendipityscraps.wordpress.com/2013/04/14/week-9-play-and-revelation-rouchs-chronique-dun-ete-and-mads-bruggers-ambassador

A Visual Anthropology Blog. Week 9 Play and Revelation: Rouch’s Chronique d’un été and Mads Brügger’s Ambassador. In this film, the anthropologist, Jean Rouch, and the sociologist, Edgar Morin, explore the ground of cin. Specifically it can be claimed that the movie is an etno-fiction because of the open script that explores this central motive of acting naturally or challenging the naturalness in front of the camera. This leads to a second point of view, which is the revelation. Although, this veils the...

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Week 5: Ways of seeing. Photo Wallahs | serendipityscraps

https://serendipityscraps.wordpress.com/2013/03/10/week-5-ways-of-seeing-photo-wallahs

A Visual Anthropology Blog. Week 5: Ways of seeing. Photo Wallahs. MacDougall’s text opened up many viewpoints on photography’s ‘play’ with the ways of seeing. Specifically, imagined as a mirror that doubles us, photography is considered a form of representation that lacks mediation but still, it becomes hard to tell if the represented self is the real lasting one or just temporary that re-identify us. Within these lines, MacDougall mentions two types of photographies. On the ‘cemetery culture’ in Ukrain...

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Week 8 Observational Cinema: Tim Ash, Maysles Brothers, Frederick Wiseman | serendipityscraps

https://serendipityscraps.wordpress.com/2013/04/14/week-8-observational-cinema-tim-ash-maysles-brothers-frederick-wiseman

A Visual Anthropology Blog. Week 8 Observational Cinema: Tim Ash, Maysles Brothers, Frederick Wiseman. This was by far my favorite session in the Visual Anthropology class because of the screenings’ ‘marathon’ that began from the same start line: the debate around cinéma verité. Or the observational cinema, understood mainly as direct cinema or being without a narrator’ voice. After the Ax Fight , we watched some extracts from Salesman. 2003) and The Yes Men Fix the World. Leave a Reply Cancel reply.

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Final project | Being Visual

https://beingvisual.wordpress.com/2013/04/19/final-project

April 19, 2013. The final version of my very first documentary is here:. My ethnographic movie experiment is about an old shoemaker, who runs a tiny shop in Budapest. This entry was posted in Budapest. A local about locals. On why the public transport system in Brussels made me a proud Central European citizen. One response to “. April 21, 2013 at 22:34. Reblogged this on Visual Anthro@CEU Blog. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:.

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An amateur’s story of filmmaking | Being Visual

https://beingvisual.wordpress.com/2013/03/05/an-amateurs-guide-to-filmmaking

An amateur’s story of filmmaking. March 5, 2013. Reading some of your descriptions about your final projects, I think that I was lucky so far. However, it does not mean that I have not had any difficulties throughout the not yet finished process. I started with the Ring Road project. My intention was to reflect on the daily life and the perception of the commuters in Budapest, but it turned out that my plan was rather preliminary. Therefore, influenced by the My Street. It is his life, his possessions, a...

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Week 10 The Act of Killing | serendipityscraps

https://serendipityscraps.wordpress.com/2013/04/15/week-10-the-act-of-killing

A Visual Anthropology Blog. Week 10 The Act of Killing. Although, I had the chance to watch The Act of Killing (2012). During a film festival in Budapest ( Ha Érteni Akarod a Világod , 2013), I have to admit that I’ve been hesitating to write about it. I can’t figure it out if it was the overwhelming 115 min during which I kept repeating to myself this can’t be real. So a bit overwhelming when attempting to read. Of killing. So, as in Jean Rouch’s cinema vérité. Is developed by real persons not actors, b...

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Ref Cam | Being Visual

https://beingvisual.wordpress.com/2013/03/10/ref-cam

March 10, 2013. I am sure that the majority of sport lovers will like this new device. But as a person already trained a little in visual anthropology, I was thinking of a different usage. I imagined wearing this kind of small camera also in other occasions. We had a big debate during the past weeks about the camera eye . Even I created a post about it. And sometimes also a miracle can happen. You can film a meteorite by chance:. This entry was posted in experiment. An amateur’s story of filmmaking.

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ethnisual | A critical lens on visual anthropology

A critical lens on visual anthropology. What stillness cannot evoke. January 25, 2013. My post on Leni Riefenstahl’s photos of the Nuba can be found at the following link. WordPress keeps erasing it when I try to post it here. Posted in Weekly entries. January 20, 2013. Coming from a University with an important background in social aid or, rather, teaching about social aid, you only ever get one perspective of the homeless. It’s always. Are the ones who are hungry,. Nanook meets North Korea. His acclaim...

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