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Echology: Making Sense of Data. FEEDBACK IS THE ULTIMATE KARMA: DATA FLOW AND THE CLOSING OF THE LOOP. Art as barometer uncovering a new breed of instrumental artists. Data, Art and Sustainability. Interpretations of Data From the Seismic Field. Artistic Practice and Unexpected Intellectual Property: Defining Ancillary IPs. This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 2.5 Australia. Creative Leadership Through Pure Research and Commercial Application. Gavin Artz, th...

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Filter Magazine - filter.anat.org.au | filter.org.au Reviews

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Echology: Making Sense of Data. FEEDBACK IS THE ULTIMATE KARMA: DATA FLOW AND THE CLOSING OF THE LOOP. Art as barometer uncovering a new breed of instrumental artists. Data, Art and Sustainability. Interpretations of Data From the Seismic Field. Artistic Practice and Unexpected Intellectual Property: Defining Ancillary IPs. This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 2.5 Australia. Creative Leadership Through Pure Research and Commercial Application. Gavin Artz, th...

<META> KEYWORDS

1 current issue

2 stephen jones

3 jodi newcombe

4 art against information

5 mitchell whitelaw

6 pierre proske

7 dv rogers

8 translating nature

9 julie freeman

10 opinion

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current issue,stephen jones,jodi newcombe,art against information,mitchell whitelaw,pierre proske,dv rogers,translating nature,julie freeman,opinion,protection or prevention,popular topics,anat,ars electronica,art science collaborations,audiovisual,ethics

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Filter Magazine - filter.anat.org.au | filter.org.au Reviews

https://filter.org.au

Echology: Making Sense of Data. FEEDBACK IS THE ULTIMATE KARMA: DATA FLOW AND THE CLOSING OF THE LOOP. Art as barometer uncovering a new breed of instrumental artists. Data, Art and Sustainability. Interpretations of Data From the Seismic Field. Artistic Practice and Unexpected Intellectual Property: Defining Ancillary IPs. This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 2.5 Australia. Creative Leadership Through Pure Research and Commercial Application. Gavin Artz, th...

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filter.org.au

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Filter Magazine - filter.anat.org.au

http://filter.org.au/issue-79/feedback-is-the-ultimate-karma-data-flow-and-the-closing-of-the-loop

Article categories: Issue 79. March 19th, 2012. FEEDBACK IS THE ULTIMATE KARMA: DATA FLOW AND THE CLOSING OF THE LOOP. I have argued elsewhere (1). That the artist is among the few readily equipped to take up the potential offerings of new technologies and new media, and to use them in unexpected ways, bringing about otherwise unforeseen capacities that these technologies may offer. Why do we treat the atmosphere that we all breathe, that sustains us in so many ways, as a dumping ground? Project. It ...

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Filter Magazine - filter.anat.org.au

http://filter.org.au/opinion/protection-or-prevention-nava-quarterly-june-2009

February 7th, 2009. As published in NAVA Quarterly, June 2009. The Australian Government’s Plan for Cyber-Safety (also less-affectionately called the Clean Feed, InternetWatch, or Conroy’s Filter) is creating a proverbial feeding ground of debate, confusion and resistance. Add to that the very real possibility of the substantial long-term damage that could occur to the Australian emerging media and creative industries. For the majority of media artists using the Internet for their work, the filter me...

3

Filter Magazine - filter.anat.org.au

http://filter.org.au/tag/ars-electronica

March 18th, 2010. Ars Electronica was my first international new media festival and a blast on many levels which started even before I’d landed. As I was reading the program on the plane somewhere between Canada and Europe, I looked out of the window and saw laid out in the landscape, a giant circuit board in the pattern of the roads and fields. A portent of thing to come… (more…). This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Australia. February 24th, 2010.

4

Filter Magazine - filter.anat.org.au

http://filter.org.au/issue-79/interpretations-of-data-from-the-seismic-field

Article categories: Issue 79. April 19th, 2012. Interpretations of Data From the Seismic Field. Since the development of civilisation, humans have been feeling, recording and studying earthquake phenomena. The US Geological Survey (USGS) currently estimates that several million earthquakes occur in the world each year. Shake Table at dusk, lit by flourescent lights installed under the table in addition to a high-powered, hand-held flashlight. Photo: Scott Haefner USGS. In 2008, at the field research home...

5

Filter Magazine - filter.anat.org.au

http://filter.org.au/issue-78/on-leadership-and-responsibility-isea2013-and-australia’s-place-in-the-world

Article categories: Issue 78. December 16th, 2011. On Leadership and Responsibility: ISEA2013 and Australia’s place in the world. As an Australian going to the International Symposium on Electronic Art (ISEA) for the first time, you will encounter something you never expected at an international arts conference: evidence of Australia’s dominance in this artistic genre. A Mountain of Resistors, taken from near distance. Image: Mattia Luigi Nappi. ANAT’s CEO Gavin Artz’s business management experience rang...

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Filter Magazine - filter.anat.org.au

Echology: Making Sense of Data. FEEDBACK IS THE ULTIMATE KARMA: DATA FLOW AND THE CLOSING OF THE LOOP. Art as barometer uncovering a new breed of instrumental artists. Data, Art and Sustainability. Interpretations of Data From the Seismic Field. Artistic Practice and Unexpected Intellectual Property: Defining Ancillary IPs. This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 2.5 Australia. Creative Leadership Through Pure Research and Commercial Application. Gavin Artz, th...

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