gaelart.blogspot.com
Artist Notes: November 2010
http://gaelart.blogspot.com/2010_11_01_archive.html
Tuesday, November 2, 2010. Social) Realism Themes: Cinema and Theatre. Http:/ gaelart.blogspot.com/2010/04/social-realism-croatia.html. Http:/ gaelart.blogspot.com/2010/03/american-social-realism.html. Http:/ gaelart.blogspot.com/2010/03/irish-social-realism.html. World (Social) Realist Art. This blog page is part of an ongoing project by artist and part-time lecturer Caoimhghin Ó Croidheáin ( http:/ gaelart.net/. Click here for (Social) Realist Art Definitions. Social Realism in history. Caoimhghin Ó Cr...
gaelart.blogspot.com
Artist Notes: Simplified Céilí Dances
http://gaelart.blogspot.com/2013/07/simple-ceili-dances.html
Tuesday, July 23, 2013. These simplified céilí dances are designed for céilís with very large groups who have never done céilí dancing before. I show the threes, side-step (sevens) and swing hold to start. In a very big group chaos usually sets in when couples have to change partners, peel off or side step into the parallel dancing line. Maggie in the Woods (Polka). The Fourth Figure of THE CONNEMARA REEL SET). All hold hands and form circle around the room with partner on gent’s right. Ballaí Luimní) [2...
gaelart.blogspot.com
Artist Notes: Making International Art: Rejecting ‘endless lines and squares’
http://gaelart.blogspot.com/2015/06/making-international-art-rejecting_27.html
Saturday, June 27, 2015. Making International Art: Rejecting ‘endless lines and squares’. Making International Art: Rejecting ‘endless lines and squares’. By Caoimhghin Ó Croidheáin. And what about French military and intelligence adventures in Africa, those that are ruining millions of human lives? Are there artists who are fighting against France becoming one of the leading centers of the Empire? By Caoimhghin Ó Croidheáin. Triptych / Oil on canvas / 60cm x 180cm / 23.6 in x 70.6 in. The difficulties o...
gaelart.blogspot.com
Artist Notes: July 2013
http://gaelart.blogspot.com/2013_07_01_archive.html
Tuesday, July 23, 2013. These simplified céilí dances are designed for céilís with very large groups who have never done céilí dancing before. I show the threes, side-step (sevens) and swing hold to start. In a very big group chaos usually sets in when couples have to change partners, peel off or side step into the parallel dancing line. Maggie in the Woods (Polka). The Fourth Figure of THE CONNEMARA REEL SET). All hold hands and form circle around the room with partner on gent’s right. Ballaí Luimní) [2...
gaelart.blogspot.com
Artist Notes: June 2015
http://gaelart.blogspot.com/2015_06_01_archive.html
Saturday, June 27, 2015. Making International Art: Rejecting ‘endless lines and squares’. Making International Art: Rejecting ‘endless lines and squares’. By Caoimhghin Ó Croidheáin. And what about French military and intelligence adventures in Africa, those that are ruining millions of human lives? Are there artists who are fighting against France becoming one of the leading centers of the Empire? By Caoimhghin Ó Croidheáin. Triptych / Oil on canvas / 60cm x 180cm / 23.6 in x 70.6 in. The difficulties o...
gaelart.blogspot.com
Artist Notes: May 2013
http://gaelart.blogspot.com/2013_05_01_archive.html
Friday, May 3, 2013. In the past, the technologisation of work produced frantic and panicked reactions in the Luddite conflicts of the early 19th century. Since then we have been lulled into complacency by visions of wealth and prosperity and more leisure time. There is what could be described as three levels of the technologisation of work,. 1) Basic Machines (Simple and Engine),. 2) Complex Machines (Electrical, Electronic and Computing), and. In each case technologisation has brought benefits as well ...
gaelart.blogspot.com
Artist Notes: December 2010
http://gaelart.blogspot.com/2010_12_01_archive.html
Tuesday, December 7, 2010. Depicting the Worldwide Crisis: The Role of the Artist in Social, Economic and Political Change. As the global economic crisis deepens, one may ask how the artist can play any role in social, economic and political change? Visual artists have been commenting on society since William Hogarth, a pictorial satirist and during the early 1700s, used art to comment on the politics and customs of his time. Thus, in visual art the politics of representation is just as important as the ...
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