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Gregory Whitehead

Materials are for research, educational and individual use; for broadcast, publication or other rights, please contact gw(at)gregorywhitehead.net

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6.2

PAGE TITLE
Gregory Whitehead | gregorywhitehead.net Reviews
<META>
DESCRIPTION
Materials are for research, educational and individual use; for broadcast, publication or other rights, please contact gw(at)gregorywhitehead.net
<META>
KEYWORDS
1 selected works
2 odd and irreducible
3 the phantom self
4 writings
5 plays and projects
6 dialogues
7 gregory whitehead
8 for broadcast
9 radio unbroken
10 like a universe
CONTENT
Page content here
KEYWORDS ON
PAGE
selected works,odd and irreducible,the phantom self,writings,plays and projects,dialogues,gregory whitehead,for broadcast,radio unbroken,like a universe,crazy horse one eight,india alpha mike,bravo echo,in the end,the bone trade,no background music
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Gregory Whitehead | gregorywhitehead.net Reviews

https://gregorywhitehead.net

Materials are for research, educational and individual use; for broadcast, publication or other rights, please contact gw(at)gregorywhitehead.net

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1

Odd & Irreducible | Gregory Whitehead

https://gregorywhitehead.net/gw/radio-irreducible

Plays & Projects. On the Shore Dimly Seen. Delivery System No. 1. Pressures of the Unspeakable. Four Trees Down from Ponte Sisto. Leave It or Double It. The Meaning of Martha. Bewitched, Bothered, Bewildered. Lovely Ways to Burn. The Pleasure of Ruins. Shake, Rattle, Roll. The Thing About Bugs. Bread On the Waters. The Bottom of the Mind. Everything I Know About Glossolalia. On One Lost Hair. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

2

Potato God Scarecrow | Gregory Whitehead

https://gregorywhitehead.net/2012/10/20/potato-god-scarecrow

October 20, 2012. A FREELY ASSOCIATIVE DISORDER FOR WASHED UP VOICES. Below, excerpted from Mainly the Mysteries. I am fascinated by the neurosensual implications. Of the North American beaver, an artist engineer whose creative capacity is not centralized within its tiny brain but dispersed from head to tail. A voice says,. We have these many many many many mysteries and it’s mainly the mysteries that enthrall me when I’m walking along. A few things I know where they came from, most I don’t. This work is...

3

The Bone Trade | Gregory Whitehead

https://gregorywhitehead.net/2012/11/02/the-bone-trade

November 2, 2012. And central character Walter Sculley have migrated through various media, beginning in 1996. Sculley’s market for corporeal memorabilia first emerged as part of a BBC radio “conversations with possible people” series. Produced in collaboration with Goldhawk; then was made into a short film. Directed by John Dryden; generated a website, which functioned for a number of years; subsequently published as a dialogue in Cabinet. To follow; and finally, featured as a mixed media installation.

4

Bravo Echo | Gregory Whitehead

https://gregorywhitehead.net/2013/05/29/bravo-echo

May 29, 2013. An entropic vocal castaway created for the gallerycast/broadcast Haunted Air, curated by Julia Drouhin. This entry was posted on Wednesday, May 29th, 2013 at 12:00 pm and tagged with bravo echo. Experimental voice audio art. Gregory whitehead text sound. Radio art haunted air. And posted in Uncategorized. You can follow any responses to this entry through the RSS 2.0. India Alpha Mike ». Plays & Projects. On the Shore Dimly Seen. Delivery System No. 1. Pressures of the Unspeakable.

5

Project Jericho | Gregory Whitehead

https://gregorywhitehead.net/2012/10/21/project-jericho

October 21, 2012. A hybrid fiction/documentary produced in close collaboration with Mark Burman for BBC 3’s adventurous Between the Ears. Mark gathered the interview material with a focus on the history of sound-based weapon systems, and I created the character of Colonel Walter Manley, founder of the Jericho Institute, a shadowy research center with a mission to weaponize the Voice of God (VOG). From Steven Goodman’s fantastic (in every sense) history of sonic warfare. Gregory Whitehead radio art. The B...

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Cas-co | Cas-co | centraits

https://centraits.wordpress.com/2016/05/03/cas-co-cas-co

WhyHow. What for? Drawin it’s discovering the law. Body /Envelopment (fold-unfold and twist). Bibliografie : Het Venster. May 3, 2016. By centsons. cathbouck. Http:/ www.cas-co.be/over-cas-co/. Dans l’atelier N 1 DE Cas-cO ( Leuven) , je souhaiterais pouvoir présenter mon projet. 8220;Traintopia “. 2016) Quant au travail de 2013-2014. 8221; This is Dolly”. L’angle d’attaque sont les Hauts parleurs en tant que medium et plus particulièrement les HP de la Sncb . Le marquage au sol et le labyrinthe. WhyHow&...

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Parcours discipline artistique | centsons

https://centsons.wordpress.com/why-how-what-for/cv-discipline-artistique

Corps / micro de contact. Son à mains nues. Licence en Philosophie, UCL, Louvain la Neuve. 8211; 2002-2005 : cours du soir en dessin. Et stages (Ixelles, Wavre, Libramont, AAC Bruxelles (Aristide Bianchi). 2005-2009 : Master en dessin Académie Royale des Beaux Arts de Bruxelles ( Atelier Lucien Massart). 2012 : Slac Leuven : Vakoverschrijdend Atelier ( post diploma) door Marc Horemans. Travail du son en tant que dessinatrice. 2013 : Stage musique électroacoustique Annette Van de Gorne. Mes dessins interr...

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Leuven’s Installatie ( Dolly . Foundfootage) | centsons

https://centsons.wordpress.com/2014/03/07/leuvens-installatie

Corps / micro de contact. Son à mains nues. Leuven’s Installatie ( Dolly . Foundfootage). March 7, 2014. By centsons. cathbouck. Ce cube ou boîte noire est un espace fermé déposé dans le hall de l a SLAC Académie . Il assure un tournant dans mon travail: un cinéma sans pellicules; des images sonores projetées. Dit werk is de presentatie van Dolly foundfootage ( ref; foundfootage post). Binnen de box, zwart donker. De geluidsband draait rond. Op de muur : water reflectie,. A l’intérieur, le noir,. And tag...

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Treintopia-Der Traagheid | centsons

https://centsons.wordpress.com/2016/03/14/der-traagheid

Corps / micro de contact. Son à mains nues. March 14, 2016. By centsons. cathbouck. Waar ga men naar toe? Wat is eigenlijk een bestemming? De geluids zijn ook van belang : de stem van de luidspreker, de afbreuk van conversaties, de verschuiving van geluids en beelden…. De treinsbeweging is gekopelt met de fixe positie van de reizigers. Dus de oppositie tussen beweging en fixe punt is de eerste structuur van mijn geluidswerk. This entry was posted in installation sonore. And tagged Luidsprekers Haut PA.

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Références | centsons

https://centsons.wordpress.com/references

Corps / micro de contact. Son à mains nues. Max Neuhaus: Times square. Justin Bennett : shotgun architecture. Les partitions graphiques de John Cage notamment pour Fontana Mix. Paul Devens, Mezzanine 2010. Arno Fabre, Dropper01. Composition pour trois radios. Tetsuo Kogawa ,ou la radio à mains nues. Wendy van Wynsberghe – www. constantvzw. Max Eastley, sculptures sonores. Esther Venrooy ,”Shifting ground”. David Tudor :” Phosphorescence”. En collaboration avec Robert Rauschenberg. Julius Rolf, les HP.

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Surface sonore | centsons

https://centsons.wordpress.com/2014/03/06/surface-sonore

Corps / micro de contact. Son à mains nues. March 6, 2014. By centsons. cathbouck. L’enjeu des pièces sonores “Escaut soussol”. 8220;Trois adhérences”. Et “corps flux”. Est de travailler une surface sonore comme le ferait un peintre ou un dessinateur. Les sons captés aux grottes de Han en Belgique font étrangement écho aux dessins des grottes de Lascaux; intéressant jeu de résonance entre son et dessin. 15 minutes ) sous-sol de grottes. Une épaisseur, une “voluminosité”. Ogre du soir.wav. Leuven’s ...

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10 jaar klankkunst in de publieke ruimte | centsons

https://centsons.wordpress.com/2015/10/29/10-jaar-klankkunst-in-de-publieke-ruimte

Corps / micro de contact. Son à mains nues. 10 jaar klankkunst in de publieke ruimte. October 29, 2015. By centsons. cathbouck. Source: 10 jaar klankkunst in de publieke ruimte. This entry was posted in Uncategorized. Voix /Stem/ voice over. Treintopia-Der Traagheid →. 10 jaar klankkunst in de publieke ruimte. Voix /Stem/ voice over. Het venster/het verlies van het landschap. Leuven’s Installatie ( Dolly . Foundfootage). La mélancolie des sons entendus. Matthew HerbertMatthew Herbert Matthew Herbert.

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Voix /Stem/ voice over | centsons

https://centsons.wordpress.com/2014/03/09/939

Corps / micro de contact. Son à mains nues. Voix /Stem/ voice over. March 9, 2014. By centsons. cathbouck. HET VENSTER PROJECT (2013-2015). Pour écouter le son, cliquez sur le lien bleu. CHORALE SCH’BIK ( 2013). En novembre 2013, lors d’une Residence à la Maison des Arts de Schaerbeek , la chorale Sch’bik , travailla. De John Brunner. Le résultat fut présenté lors de l’installation sonore Trames sonores . EMISSION ” @tentat”. Le silence d’un cri. This entry was posted in kuuuuuuuunst. Magazine Arts and S...

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Materials are for research, educational and individual use;. Publication or other rights, please contact gw(at)gregorywhitehead.net. Plays & Projects. Nothing Like Us Ever Was. On the Shore Dimly Seen. Delivery System No. 1. Pressures of the Unspeakable. Four Trees Down from Ponte Sisto. Leave It or Double It. The Meaning of Martha. Bewitched, Bothered, Bewildered. Lovely Ways to Burn. The Pleasure of Ruins. Shake, Rattle, Roll. The Thing About Bugs. Bread On the Waters. The Bottom of the Mind.

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