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iJusi MagazineLatest news and updates regarding IJusi magazine issues, IJusi Portfolios, and recent IJusi events.
http://www.ijusi.com/
Latest news and updates regarding IJusi magazine issues, IJusi Portfolios, and recent IJusi events.
http://www.ijusi.com/
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iJusi Magazine | ijusi.com Reviews
https://ijusi.com
Latest news and updates regarding IJusi magazine issues, IJusi Portfolios, and recent IJusi events.
ijusi.com
IJusi Magazines
http://www.ijusi.com/magazines
What Makes Me South African? IJusi is proper Old School print. Paper you can feel, ink you can smell. None of this digital stuff. The snippets that you get to taste here are simply meant to get your juices flowing. All featured publications on this site are not complete issues. Printed back issues and complete PDF. 8217;s are available on request*. Click here. Issue #27 is themed around the classic 33RPM. The Ballpoint Pen Issue. Unpublished Colour Photographs From SA. Published in 2002, this issue is th...
Blog - Ijusi Magazine
http://www.ijusi.com/blog
What Makes Me South African? IJusi exhibition at NMMU. May 30th, 2016. Mdash; Shane de Lange 0 comments. The Bright Night Project. August 19th, 2015. Mdash; Shane de Lange 0 comments. The Bright Night Project. Garth Walker interview on The Legacy Project. August 2nd, 2014. Mdash; Shane de Lange 0 comments. Albert Museum, The Smithsonian, and numerous university and academic collections worldwide”. … read more. Garth Walker interviewed on Design Indaba. July 14th, 2014. Mdash; Shane de Lange 0 comments.
IJusi Portfolios
http://www.ijusi.com/portfolios
What Makes Me South African? What Makes Me African - Towards a New Visual Culture.
About - Ijusi Magazine
http://www.ijusi.com/about
What Makes Me South African? Ijusi is an experimental magazine first published in the early years following South Africa’s first democratic elections circa 1994. From the beginning ijusi posed an important question: What makes me South African, and what does that ‘look’ like? Gradually piecing together the various cultural dichotomies and social potentialities that have evolved following Apartheid’s demise. As was the case with the Soviet Union in 1917, a new social order begets a new visual order.
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SHANE DE LANGE: VISCOSITY, CHAOS AND THE EVERYDAY PRACTICE OF PAINTING
http://nilfunct.blogspot.com/2008/03/viscosity-chaos-and-everyday-practice.html
VISCOSITY, CHAOS AND THE EVERYDAY PRACTICE OF PAINTING. Written by Shane de Lange. Subscribe to: Post Comments (Atom). Grey Areas (Part 2). Grey Areas (Part 1). The Same Subject Continued. Writing and Indifference, Upending the Order of Otherness. Between the System and the Struggle. The Desert of the Real. Viscosity, Chaos, and the Everyday Practice of Painting. Lost in the Post. Thomas and Jena Barry.
SHANE DE LANGE: GREY AREAS (PART 2)
http://nilfunct.blogspot.com/2014/01/grey-areas-part-2.html
GREY AREAS (PART 2). 8220;Any one who has common sense will remember that the bewilderments of the eyes are of two kinds, and arise from two causes, either from coming out of the light or from going into the light”. Perhaps Subotzky’s most recognisable series to date is his 2004 student thesis project, which he completed for his honors degree at Michaelis. This debut, titled Die Vier Hoeke. After Die Vier Hoeke. Inverting all previous archetypes for his next project titled Ponte City. Has a monumental ai...
SHANE DE LANGE: UNTO THIS LAST
http://nilfunct.blogspot.com/2012/06/unto-this-last.html
To speak a language is to take on a world, a culture.". From shoe repairs to editorial, Ijusi is an experimental magazine first published in the early years following South Africa’s first democratic elections circa 1994. From the beginning Ijusi posed an important question: “What makes me South African, and what does that ‘look’ like? Walker released the first issue of Ijusi. Reaching the end of its second decade, Ijusi magazine, now accompanied by the Ijusi portfolios, has turned into a canonical body o...
SHANE DE LANGE: THE SAME SUBJECT CONTINUED [AFTER HUME]:
http://nilfunct.blogspot.com/2013/09/font-face-font-family-arialfont-face.html
THE SAME SUBJECT CONTINUED [AFTER HUME]:. 8220;The name is the end of discourse.”. What is in a name, other than signifying cancellation? 8220;When you cut into the present the future leaks out.”. 8220;Who’s the parasite and who’s the host? Written by Shane de Lange. Subscribe to: Post Comments (Atom). Grey Areas (Part 2). Grey Areas (Part 1). The Same Subject Continued. Writing and Indifference, Upending the Order of Otherness. Between the System and the Struggle. The Desert of the Real. Lost in the Post.
SHANE DE LANGE: WRITING AND INDIFFERENCE, UPENDING THE ORDER OF OTHERNESS
http://nilfunct.blogspot.com/2011/07/writing-and-indifference-upending-order.html
WRITING AND INDIFFERENCE, UPENDING THE ORDER OF OTHERNESS. Venerated Villain (Kenosi)", 2011. Bound by the Moon, 2011. Morgue Boss (Rock Phex)", 201 1. Dead Demon Rider I", 2011. Loyal to None", 2011. Written by Shane de Lange. Subscribe to: Post Comments (Atom). Grey Areas (Part 2). Grey Areas (Part 1). The Same Subject Continued. Writing and Indifference, Upending the Order of Otherness. Between the System and the Struggle. The Desert of the Real. Viscosity, Chaos, and the Everyday Practice of Painting.
SHANE DE LANGE: GHOSTLY DEMARCATIONS
http://nilfunct.blogspot.com/2010/06/ghostly-demarcations.html
Based in Cape Town, and represented by the SMAC gallery in Stellenbosch, Anton Karstel’s work tinkers with the perceived loyalties and presumed modalities that are strewn over the scarred socio-political landscape of South Africa. From this foundation, Karstel deals with the idea of the ‘post-‘, ghostly in his conceptual approach to historical conventions and cultural dictates, always throwing curveballs at the establishment, leaving one wondering where his loyalties lie. By focusing on ideological signi...
SHANE DE LANGE: SHADOW FOLLOWING MEMORY
http://nilfunct.blogspot.com/2006/11/shadow-following-memory.html
How would you like to die"? I don’t think I would like that very much at all". (Tom Waits in an interview with Vanity Fair). While serendipity is central to Yssel’s work, he also makes recourse to a more controlled and objective use of symmetry, balance and harmony. For Yssel, the lyrics of Tom Waits exemplify these oscillating influences, which Waits expresses as follows:. Creatively they’re astonishing. The way they draw, you know? In this way, Yssel explores traditional Cartesian dualism, focusing on ...
SHANE DE LANGE: TRADITION AND TRANSITION
http://nilfunct.blogspot.com/2008/05/tradition-and-transition.html
Written by Shane de Lange. Subscribe to: Post Comments (Atom). Grey Areas (Part 2). Grey Areas (Part 1). The Same Subject Continued. Writing and Indifference, Upending the Order of Otherness. Between the System and the Struggle. The Desert of the Real. Viscosity, Chaos, and the Everyday Practice of Painting. Lost in the Post. Thomas and Jena Barry.
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成都欢乐谷 界域 pdf txt. 5,上海欢乐谷过山车视频 5555 好希望去欢乐谷. 公交 1 上佘专线 漕溪路公交枢纽. 首先的就是夷愉谷的地图以及图释啦 公园关闭时间 9 其实过山车。 00 节假日除外 夜间关闭时间 19 学习北京欢乐谷过山车视频。 成都欢乐谷 深圳欢乐谷门票 武汉欢乐谷 天津欢乐谷 成.
YABUNGA'S BLOG | There is hope for a better future
There is hope for a better future. July 29, 2016. ETHICS AND INTEGRITY IN LEADERSHIP AND MANAGEMENT. As most entities strive towards realizing organizational and institutional goals and objectives, corruption, inadequate integrity and unethical practices remain major setbacks to their efforts. On July 29, 2016. December 23, 2016. On December 23, 2016. August 29, 2016. GMOs AND THE ENVIRONMENT. A GOM (Genetically Modified Organism) is an organism (plants , animals or microorganisms) whose genome has been ...
iJusi Magazine
Images from the iJusi Collection of South African Vintage Vernacular Photographs. The 32nd issue of iJusi magazine focuses on vernacular photography, hand-picked from the archives of Garth Walker's personal collection. For a taste, click here. The Found Photos Issue. An Interview With Design Indaba. IJusi's Garth Walker talks about 'Being African'. Curated by Pieter Hugo. What Makes Me African - Towards a New Visual Culture.
Íjušky blog
GALERIE: V Ostravě po nehodě shořela Škoda Fabia. S míčem k sexy postavě! Herec z Transformers vypadá jako bezdomovec! Co se to s ním proboha stalo? 21 července 2014 v 16:22 Íjuška OB. Tak příště, no. Až se dostanu odsud z nemocnice. Alespoň jsem si odvezla za celkové prvenství 8 sviňanských odměn a reklamní předměty pivovaru za jednotlivé etapy. 15 února 2010 v 9:59 Íjuška OB. Zápis z rady - ohledně tábora;). 8 července 2009 v 20:14 Íjuška postřehy. 1 Rozhodnutí půjdeme ven - ZAMÍTNUTO. 8 Zuzka znuděně ...
Íjušky stránky
Jmenuji se Iva Kopáčková. Jsem taková celkem normální holka, i když mnozí lidé si to nemyslí. Na mně není nic zajímavého, přijde mi trochu hloupé psát o sobě, ale o něčem jsem musela:). Můj mladší brácha Péťa je studentem ČVUT - stavební fakulta, obor geodézie a kartografie. Od října 2011 se tedy také jako jeho sourozenci vyskytuje v Praze. Starší brácha Honza je už inženýr (FEL ČVUT). Stejně tak, jako jeho nádherná, úžasná sestřička, pobývá v Praze, kde pracuje u firmy Trilogic.
IJusLuvCookiE (IJusLuvCookiE) - DeviantArt
Window.devicePixelRatio*screen.width 'x' window.devicePixelRatio*screen.height) :(screen.width 'x' screen.height) ; this.removeAttribute('onclick')" class="mi". Window.devicePixelRatio*screen.width 'x' window.devicePixelRatio*screen.height) :(screen.width 'x' screen.height) ; this.removeAttribute('onclick')". Join DeviantArt for FREE. Forgot Password or Username? Deviant for 3 Years. This deviant's full pageview. Last Visit: 190 weeks ago. This is the place where you can personalize your profile! Window&...
IJUSP - Instituto Junguiano de São Paulo
IJUSP – Instituto Junguiano de São Paulo. Bem-vindo ao Instituto Junguiano de São Paulo-IJUSP, filiado à Associação Junguiana do Brasil-AJB e a International Association for Analytical Psychology-IAAP, com sede em Zurique, Suíça, entidade que congrega os analistas junguianos internacionalmente. Self – Revista do IJUSP. Cadernos Junguianos n. 1. Cadernos Junguianos n. 2. Cadernos Junguianos n. 3. Cadernos Junguianos n. 4. Cadernos Junguianos n. 5. Cadernos Junguianos n. 6. Cadernos Junguianos n. 7.
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