jmichaelmartinez.blogspot.com

Aporias

View my complete profile. Dim Smell of Moose. Academy of American Poets Bio. J Michael Martinez's Homepage. You may find my new blog at www.jmichaelmartinez.org. Links to this post. Strickland and digital ecriture féminine. In Losing L’una. Stephanie Strickland employs the words and character of the great 20. Century mystic and social activist Simone Weil, creating a poetic of dense lyrical force. In the midst of this is the question of the feminine, the feminist. One point of justification is in the tex...

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View my complete profile. Dim Smell of Moose. Academy of American Poets Bio. J Michael Martinez's Homepage. You may find my new blog at www.jmichaelmartinez.org. Links to this post. Strickland and digital ecriture féminine. In Losing L’una. Stephanie Strickland employs the words and character of the great 20. Century mystic and social activist Simone Weil, creating a poetic of dense lyrical force. In the midst of this is the question of the feminine, the feminist. One point of justification is in the tex...

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Aporias | jmichaelmartinez.blogspot.com Reviews

https://jmichaelmartinez.blogspot.com

View my complete profile. Dim Smell of Moose. Academy of American Poets Bio. J Michael Martinez's Homepage. You may find my new blog at www.jmichaelmartinez.org. Links to this post. Strickland and digital ecriture féminine. In Losing L’una. Stephanie Strickland employs the words and character of the great 20. Century mystic and social activist Simone Weil, creating a poetic of dense lyrical force. In the midst of this is the question of the feminine, the feminist. One point of justification is in the tex...

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jmichaelmartinez.blogspot.com

1

Aporias: Blog Moved

http://jmichaelmartinez.blogspot.com/2010/06/blog-moved.html

View my complete profile. Dim Smell of Moose. Academy of American Poets Bio. J Michael Martinez's Homepage. You may find my new blog at www.jmichaelmartinez.org. Subscribe to: Post Comments (Atom).

2

Aporias: Art for Art's Sake

http://jmichaelmartinez.blogspot.com/2010/03/art-for-arts-sake.html

View my complete profile. Dim Smell of Moose. Academy of American Poets Bio. J Michael Martinez's Homepage. Art for Art's Sake. By Kenneth Goldsmith appropriates the text of a particular issue of. The New York Times. This is well known). Jason Christie, in “Sampling the Culture: 4 Notes Toward a Poetics of Plundergraphia and on Kenneth Goldsmith's Day,” asserts that. Is another method to deconstruct the conceptual space between “high” and “low” art. His text [Goldsmith’s Day. The otherside of the concept...

3

Aporias: Text Curtain

http://jmichaelmartinez.blogspot.com/2010/03/text-curtain.html

View my complete profile. Dim Smell of Moose. Academy of American Poets Bio. J Michael Martinez's Homepage. Is one poem that struck me as reveling in enjambment. And interestingly enough, it, in stasis, is primarily organized as a prose block (at least until the pointer shifts the curtain of its form). The play between prose and poem reminded me of Giorgio Agamben and his statements regarding prose and poem. Giorgio Agamben, political philosopher and critical theorist, writes in. The Idea of Prose.

4

Aporias: Strickland and digital ecriture féminine

http://jmichaelmartinez.blogspot.com/2010/04/strickland-and-digital-ecriture.html

View my complete profile. Dim Smell of Moose. Academy of American Poets Bio. J Michael Martinez's Homepage. Strickland and digital ecriture féminine. In Losing L’una. Stephanie Strickland employs the words and character of the great 20. Century mystic and social activist Simone Weil, creating a poetic of dense lyrical force. In the midst of this is the question of the feminine, the feminist. Strickland writes explicitly in the book of the patriarchal poetic ( 31. One point of justification is in the text...

5

Aporias: Concrete Poetry and the DP

http://jmichaelmartinez.blogspot.com/2010/02/concrete-poetry-and-dp.html

View my complete profile. Dim Smell of Moose. Academy of American Poets Bio. J Michael Martinez's Homepage. Concrete Poetry and the DP. The essential is reduced language.". Concrete Poetry is 'I'-less. . . .Poet: dissolved, issues no orders to reader who has to provide his own mind-gum syntax". Concrete poetry, as described by both Mary Ellen Scott and don Sylvester Houedard, aims for a " semantic econom. One might ask, does Finlay arrive at this idea? Subscribe to: Post Comments (Atom).

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jmichaelmartinez.blogspot.com

Aporias

View my complete profile. Dim Smell of Moose. Academy of American Poets Bio. J Michael Martinez's Homepage. You may find my new blog at www.jmichaelmartinez.org. Links to this post. Strickland and digital ecriture féminine. In Losing L’una. Stephanie Strickland employs the words and character of the great 20. Century mystic and social activist Simone Weil, creating a poetic of dense lyrical force. In the midst of this is the question of the feminine, the feminist. One point of justification is in the tex...

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