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Camberwell Illustration: May 2013

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I just watched that BBC 2 documentary on Non-Euclidean geometry posted earlier, it's great. I could feel my mind start bending a little when they started trying to depict the hypercube. It reminded me of these sketches by David Bennewith for a 3-dimensional typeface, and gets me thinking on where we could begin with depicting a 4-dimensional typeface, with all that fluidity. Posted by Robert Sollis. In this piece, Reich uses the most fundamental of human attributions, beside the voice, to. Posted by Jigg...

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Camberwell Illustration: Pioneer plaques

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Designed by Carl Sagan and Frank Drake; artwork by Linda Salzman Sagan. 8220;The Pioneer plaques (9x6 inches) are a pair of anodized aluminum plaques which were placed on board the 1972 Pioneer 10 and 1973 Pioneer 11 spacecraft, featuring a pictorial message, in case either Pioneer 10 or 11 is intercepted by extraterrestrial life. The plaques show the nude figures of a human male and female along with several symbols that are designed to provide information about the origin of the spacecraft.

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Camberwell Illustration: January 2012

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Luke on crane.tv. Cranetv paid Luke a studio visit recently. Interesting thoughts on his working roots and balance. And a little tribute to all of you towards the end. Posted by Peter Nencini. David Hockney's Bigger Picture. David Hockney interview from Royal Academy of Arts. Last week (26 Dec 2011) BBC Radio 4 devoted a Start the Week. The camera is one example of his embracing of technology and investigation of picture making. 'Photography is not a final reaching of reality. Technology is openi...The p...

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Camberwell Illustration: Sun, Planet, Moon

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Sun, Planet, Moon. At the University of Colorado have a huge range of interactive simulations which help to visualise some difficult concepts. Above is a screen shot of. Describing orbits and gravitational pull of massive bodies; of the Moon around the Earth and the Earth and Moon around the Sun. Posted by Jiggling Atoms. Subscribe to: Post Comments (Atom). Victoria and Albert Museum. Camberwell College of Arts. Robert Sollis / Europa. Camberwell Illustration First Year. Camberwell Design Key Ideas.

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Camberwell Illustration: Casting Kurtz

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Note: essential that you, individually, move through and beyond these direct and indirect 'castings' of Mr. Kurtz – particularly Kinski and Brando. The idea here is to make plain a method one might apply, in order to see and hear him. Study of the effect of light on a profile head (c. 1487–1490). From the beginning of his notoriety, a. Arose around him in which he ultimately became an emblem of insanity, violence and the. Pablo Picasso: Self portrait (1972). Nosferatu, eine Symphonie des Grauens. Prestig...

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Camberwell Illustration: April 2012

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Bi Four: Superimpositions, Transformations. With Bibi Andersson —. 8212; and —. 8212; Liv Ulmann. John S. Robertson's. Dr Jekyll and Mr. Hyde. 1920), with the magnificent John Barrymore. Posted by Peter Nencini. Posted by Peter Nencini. Posted by Peter Nencini. Posted by Peter Nencini. Subscribe to: Posts (Atom). Victoria and Albert Museum. Camberwell College of Arts. Robert Sollis / Europa. Camberwell Illustration First Year. Camberwell Design Key Ideas. Bedford Press (AA/Zak Kyes). Publish and be Damned.

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Camberwell Illustration: October 2012

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Modelmaking: ad-hoc to slick. Herzog and De Meuron: Vitrahaus. From the excellent book, Folding Architecture; Spatial, Structural and Organisational Diagrams. Future Systems, Amanda Levete: Tombstone. 2005), via The Smithsonian. The object formed of laser-sintered polyamide (nylon). From Stina Ekman's Gitter. Posted by Peter Nencini. Subscribe to: Posts (Atom). Victoria and Albert Museum. Camberwell College of Arts. Robert Sollis / Europa. Camberwell Illustration First Year. Camberwell Design Key Ideas.

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Camberwell Illustration: The face on mars

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The face on mars. The original image taken by the Viking 1 orbiter in 1976. Humans have always projected their own hopes and fears onto interstaller objects like this famous cultural anthropomorphism. As a social species we are particularly hard-wired to recognise faces. Perhaps this is the reason why Jesus pops up on a piece of toast, or a giant face emerges out from the shadows of arbitrarily arranged Mars rocks. G Neukum), MOC (Malin Space Science Systems)(2006). Unmasking the face on Mars.

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Camberwell Illustration: Making sand swim

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Klaus Weber Sand Fountain. Klaus Weber's piece Sand Fountain. Is both transformative and oppositional – encouraging a reconsideration (among other things) of what a fluid is, even if water is wet and sand is dry – if one can be substituted by the other then what exactly is the difference? The falsification criteria that Malte spoke about is also concerned with being oppositional, exploring where our theories and ideas about the world break down and where they hold their own. Posted by Jiggling Atoms.