musictheoryforum.com

Music Theory Forum

Music theory and guitar fretboard concepts. Is a series of blogs for musicians seeking a deeper understanding of music. The Basic Components of Music. Starts with the basics – incrementally advancing from there, while slowly building on previous concepts. If you are a beginner, go to Recent Posts. Start at the bottom of the list and work your way up. The goal is that by the time you get to advanced music concepts, you will be well-prepared to easily understand them. A part of Music Theory Forum. Eg conce...

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Music Theory Forum | musictheoryforum.com Reviews

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Music theory and guitar fretboard concepts. Is a series of blogs for musicians seeking a deeper understanding of music. The Basic Components of Music. Starts with the basics – incrementally advancing from there, while slowly building on previous concepts. If you are a beginner, go to Recent Posts. Start at the bottom of the list and work your way up. The goal is that by the time you get to advanced music concepts, you will be well-prepared to easily understand them. A part of Music Theory Forum. Eg conce...

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2 music terms

3 music theory forum

4 welcome

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6 the guitar

7 and music terms

8 and musician friends

9 links

10 28 comments

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Music Theory Forum | musictheoryforum.com Reviews

https://musictheoryforum.com

Music theory and guitar fretboard concepts. Is a series of blogs for musicians seeking a deeper understanding of music. The Basic Components of Music. Starts with the basics – incrementally advancing from there, while slowly building on previous concepts. If you are a beginner, go to Recent Posts. Start at the bottom of the list and work your way up. The goal is that by the time you get to advanced music concepts, you will be well-prepared to easily understand them. A part of Music Theory Forum. Eg conce...

INTERNAL PAGES

musictheoryforum.com

1

9th Chords And Beyond « Music Theory Forum

http://www.musictheoryforum.com/2010/03/9th-chords-and-beyond

Music theory and guitar fretboard concepts. 9th Chords And Beyond. Moving beyond 7th chords,. We enter the huge, shimmering, full-orchestra sounding world of 9th chords. Simply put, 9th chords are extensions of 7th chords. In fact, there is a corresponding 9th chord for each of the three types of 7th chords:. Here is the structure for major 9th chords:. C E G B D = Cma9. 2 15 2 1.5 = Major 9th structure. A brief intro to chord substitution is in order. E G B = Emi. E G B D = Emi7. Cma7 = C E G B. For now...

2

Future Topics « Music Theory Forum

http://www.musictheoryforum.com/future-topics

Music theory and guitar fretboard concepts. Just can’t wait to see what’s coming next? Here’s a partial list of upcoming Music Theory Forum. Topics that should get the juices flowing:. Chord substitution and re-harmonization. Using backward cycles for composition and re-arranging. Tri-tone chord substitution principles. Applying the diminished chord substitution principle against all chord types. The difference between chord inversions and re-voicing. Breaking out of ruts and patterns in your solos.

3

Guitar Fingerboard Basics: Part I « Music Theory Forum

http://www.musictheoryforum.com/2010/03/guitar-fingerboard-basics-part-i-2

Music theory and guitar fretboard concepts. Guitar Fingerboard Basics: Part I. Just the facts ma’am. Dragnet sergeant Joe Friday was famous for cutting to the facts, which is exactly what we intend here in this, our first post exclusively for Guitarist. So grab your favorite axe, here we go. The most important three facts regarding the guitar fingerboard:. Did I mention the guitar was repetitious? The key to mastering the guitar fingerboard is to harness its repetitious nature to work in your favor.

4

Suspended Chords Resolved « Music Theory Forum

http://www.musictheoryforum.com/2010/09/suspended-chords-resolved

Music theory and guitar fretboard concepts. Commonly referred to as “Sus” chords, these unique sounding chords have enriched compositions of every music genre for as long as music has been around. There are three types of Suspended (Sus) chords:. The one thing all these chords have in common: no major 3rd interval is present. While the Sus 4 and 7th Sus 4 replace the 3rd with the 4th, the Sus 2 does not. Instead, Sus 2 chords replace the 3rd with a 2:. Gsus = G C D. 25 1 = structure for Sus chord. Eleven...

5

Beyond Triads: Seventh Chords « Music Theory Forum

http://www.musictheoryforum.com/2010/03/beyond-triads-seventh-chords/comment-page-1

Music theory and guitar fretboard concepts. Beyond Triads: Seventh Chords. Before indulging ourselves into the tasty world of seventh chords, let’s review how we got here:. The diatonic major scale is made up of a specific sequence of half-step and whole-step intervals. Every diatonic major scale has the exact same sequence of half-steps and whole-steps. Other than C, all keys are either sharp or flat – never both. Chords come from scales – by selecting every other note. Again, we learned that chords alw...

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musictheoryforum.com

Music Theory Forum

Music theory and guitar fretboard concepts. Is a series of blogs for musicians seeking a deeper understanding of music. The Basic Components of Music. Starts with the basics – incrementally advancing from there, while slowly building on previous concepts. If you are a beginner, go to Recent Posts. Start at the bottom of the list and work your way up. The goal is that by the time you get to advanced music concepts, you will be well-prepared to easily understand them. A part of Music Theory Forum. Eg conce...

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Music Theory Forum | music theory and guitar fretboard concepts

Music theory and guitar fretboard concepts. Basic Chord Theory – Triads. February 9, 2010. The most basic chord in music is the Triad. 8211; or three-note chord. In practice, we don’t actually call them triads – instead, we reference triads as simply major or minor chords – examples: C Dmi Emi F G Ami. Chords come from scales. Whose three notes are C E G. Note D, chose the third note E. Note F, and chose the 5. The third note is called the 3. And the fifth note is called (you guessed it) the 5. They are ...

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