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Wednesday, June 15, 2011. Flesch Scales, No. 1. Here is a video of how I think No. 1 should be executed. 1) I use a metronome. 2) I distribute the bow evenly over 8 beats for the scale and 6 for the arpeggios. 3) Shifting is executed slowly and with even speed between the two notes (more on this later). 4) bow changes are slow. 5) contact point of the bow and the string does not change and the sound is concentrated and even. I welcome your comments and questions. Tuesday, March 29, 2011.

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Wednesday, June 15, 2011. Flesch Scales, No. 1. Here is a video of how I think No. 1 should be executed. 1) I use a metronome. 2) I distribute the bow evenly over 8 beats for the scale and 6 for the arpeggios. 3) Shifting is executed slowly and with even speed between the two notes (more on this later). 4) bow changes are slow. 5) contact point of the bow and the string does not change and the sound is concentrated and even. I welcome your comments and questions. Tuesday, March 29, 2011.

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Ori Kam's Blog | orikam.blogspot.com Reviews

https://orikam.blogspot.com

Wednesday, June 15, 2011. Flesch Scales, No. 1. Here is a video of how I think No. 1 should be executed. 1) I use a metronome. 2) I distribute the bow evenly over 8 beats for the scale and 6 for the arpeggios. 3) Shifting is executed slowly and with even speed between the two notes (more on this later). 4) bow changes are slow. 5) contact point of the bow and the string does not change and the sound is concentrated and even. I welcome your comments and questions. Tuesday, March 29, 2011.

INTERNAL PAGES

orikam.blogspot.com

1

Ori Kam's Blog: Making the case for practicing scales

http://orikam.blogspot.com/2011/01/making-case-for-practicing-scales.html

Tuesday, January 11, 2011. Making the case for practicing scales. In my first post, I'm going to try explain why I consider scales to be the basis for practicing a string instrument by giving a few reasons for practicing scales every day:. Reason No. 1: Learn from the masters. Reason No. 2: Efficiency. Reason No. 3: Finger Patterns. Practicing scales engrains hand positions into your brain. By doing that, your brains memorizes not only the location to place each finger on the fingerboard, but also th...

2

Ori Kam's Blog: January 2011

http://orikam.blogspot.com/2011_01_01_archive.html

Tuesday, January 11, 2011. Making the case for practicing scales. In my first post, Im going to try explain why I consider scales to be the basis for practicing a string instrument by giving a few reasons for practicing scales every day:. Subscribe to: Posts (Atom). View my complete profile. Making the case for practicing scales. Awesome Inc. template. Powered by Blogger.

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Ori Kam's Blog: Flesch Scales, No. 1

http://orikam.blogspot.com/2011/06/flesch-scales-no-1.html

Wednesday, June 15, 2011. Flesch Scales, No. 1. Here is a video of how I think No. 1 should be executed. 1) I use a metronome. 2) I distribute the bow evenly over 8 beats for the scale and 6 for the arpeggios. 3) Shifting is executed slowly and with even speed between the two notes (more on this later). 4) bow changes are slow. 5) contact point of the bow and the string does not change and the sound is concentrated and even. I welcome your comments and questions. And do like it. July 13, 2011 at 7:39 AM.

4

Ori Kam's Blog: Let's get started...

http://orikam.blogspot.com/2011/03/let-get-started.html

Tuesday, March 29, 2011. Before I post the first video demonstrating the most effective way (in my opinion) to practice scales, I wanted to talk about some very basic concepts. This is a very important distinction, one that comes up again and again when I teach. The idea is not to play slowly, but to slow all the movements respectively as if one is moving in slow motion. V=TBvF6r6DOvc). Why do we practice control? 7 Back to speed:. When a baby learns to walk, it first slowly stands us holding on to a rai...

5

Ori Kam's Blog: June 2011

http://orikam.blogspot.com/2011_06_01_archive.html

Wednesday, June 15, 2011. Flesch Scales, No. 1. Here is a video of how I think No. 1 should be executed. 1) I use a metronome. 2) I distribute the bow evenly over 8 beats for the scale and 6 for the arpeggios. 3) Shifting is executed slowly and with even speed between the two notes (more on this later). 4) bow changes are slow. 5) contact point of the bow and the string does not change and the sound is concentrated and even. I welcome your comments and questions. Subscribe to: Posts (Atom).

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Wednesday, June 15, 2011. Flesch Scales, No. 1. Here is a video of how I think No. 1 should be executed. 1) I use a metronome. 2) I distribute the bow evenly over 8 beats for the scale and 6 for the arpeggios. 3) Shifting is executed slowly and with even speed between the two notes (more on this later). 4) bow changes are slow. 5) contact point of the bow and the string does not change and the sound is concentrated and even. I welcome your comments and questions. Tuesday, March 29, 2011.

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