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Raymond Schroyens, Composer, Organist and Harpsichordist, Belgian composer, Vocal music

Raymond Schroyens mainly composes choral music, but also instrumental solo pieces, chamber music and combinations of both. His transatlantic career has included time spent not only as a composer and performer but also as a producer and director of music programmes for television and radio. He continued to teach throughout his career, taking on the role of Professor of Harpsichord at the Royal Conservatory of Music, Brussels as well as being a member of the Board of Trustees and Musical Advisor for the Festi

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Raymond Schroyens, Composer, Organist and Harpsichordist, Belgian composer, Vocal music | raymondschroyens.com Reviews
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Raymond Schroyens mainly composes choral music, but also instrumental solo pieces, chamber music and combinations of both. His transatlantic career has included time spent not only as a composer and performer but also as a producer and director of music programmes for television and radio. He continued to teach throughout his career, taking on the role of Professor of Harpsichord at the Royal Conservatory of Music, Brussels as well as being a member of the Board of Trustees and Musical Advisor for the Festi
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2 profile
3 recordings
4 in flanders fields
5 le cose ultime
6 pentalpha
7 johan duijck conductor
8 the great war
9 aus der tiefe
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Raymond Schroyens, Composer, Organist and Harpsichordist, Belgian composer, Vocal music | raymondschroyens.com Reviews

https://raymondschroyens.com

Raymond Schroyens mainly composes choral music, but also instrumental solo pieces, chamber music and combinations of both. His transatlantic career has included time spent not only as a composer and performer but also as a producer and director of music programmes for television and radio. He continued to teach throughout his career, taking on the role of Professor of Harpsichord at the Royal Conservatory of Music, Brussels as well as being a member of the Board of Trustees and Musical Advisor for the Festi

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Raymond Schroyens, music style, publications

http://www.raymondschroyens.com/pages/music.html

8220;I characterize my music as contemporary/late romantic, meaning that the sound is derived from contemporary esthetics (harmony, rhythm) while the sentiments and moods are somewhat linked to the recent past.”. Publications in Reference Books. Winkler Prins Encyclopedie Van Vlaanderen (1974, Brussel):. International Register Of Profiles (1977, Cambridge, Eng. Men Of Achievement (1977, IBC, Cambridge, Eng.). Dictionary Of International Biography (1979, Cambridge, Eng.). Roularta, Belg.2007. Gesprek met ...

2

Raymond Schroyens, music style, publications

http://www.raymondschroyens.com/pages/compositions.html

Here on the website, you can find severely edited versions of some forewords (pdf). To give you a little background. 8220;As my skills on the computer are rather limited, most of my scores are not available in printed form. Therefore, I have taken the utmost care in applying my abilities as a calligrapher, so as to attain the highest degree of legibility and clarity for the performers. Written with love is indeed one of the most precious landmarks in rendering a new score (and its music!

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Raymond Schroyens, recordings, sound files

http://www.raymondschroyens.com/pages/recordings.html

Vokaal Ensemble Musa Horti. Available from www.musahorti.be. Stefaan Desmet - piano. Leiding/direction - Kurt Bikkembergs. Een oud man in’t jong meiskes schoot (Jacob Cats). Capella di Voce, conductor: Kurt Bikkembergs. Le cose ultime/Mix. voic.(2:52). Keyword search: Schroyens, Raymond. In Flanders Fields/Mix. voic.(4:38). Beobachtung 2000/Mix. Voic. (2:33). Les Muses Gaillardes /Mix.voic. (14:50). El pasado termina mañana /guit. (9:10). Gaia / Pi.-4h. (18:30). Enigma (7.40) /Trpt, org. Piano Duo Kolacn...

4

Raymond Schroyens, music style, publications

http://www.raymondschroyens.com/pages/profile.html

Graduate, Lemmensinstitute Mechelen. Graduate Roy. Flem. Cons. of Mus. Antwerpen, major: organ (Flor Peeters). Director of Church Music, Dearborn/Detroit, Mich. USA. Harpsichordist with Concertino J.B.Loeillet, Mechelen. Chief music producer at the BRT-Brussel, Radio 3 (classical music) and Head of department Programming and Studio recording, Radio 3. Professor of harpsichord, Royal Conservatory of Music, Brussel and City Music Academy, Mechelen. Chairman Ars Organi, Mechelen. His Battery for Bells (1975...

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montefagorum.be montefagorum.be

bikkembergs.whaai.be

http://www.montefagorum.be/nl/3-composers-choirs-and-artists

Composers, Choirs and Artists. Writings - Texts - Articles - Column. Aerts, Hans (1958). Bikkembergs, Kurt (1963). Byloo, Jean-Paul (1949). Ceuleers, Willem (1962). Claesen, Ludo (1956). Coryn, Roland (1938). De Boeck, August (1865-1937). Depraetere, Geert (1958). Desmet, Raoul C. (1936). De Vocht, Lodewijk (1887-1977). Feremans, Gaston (1907-1964). Fonteyn, Jacqueline (1930). Geloen, Ludo (1962). Geysen, Frans (1936). Goemanne, Noël (1926-2010). Lambrechts, Jean (1936). Lejaeghere, Peter (1967).

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Raymond Schroyens, Composer, Organist and Harpsichordist, Belgian composer, Vocal music

EXISTING COMPOSITIONS and NEW RELEASES. Newly recorded by Vokaal Ensemble Musa Horti, Peter Dejans conductor, www.musahorti.be. Released on Newton Classics NC8802171 under the title. Music for van Dyck: Chansons and Madrigals from the 16th and 20th centuries. Sung by Ring Around Quartet. Newly recorded by Koor and Stem for their Jubileum book,. Koor Cyclus A Capella Antwerpen en Kempen 1989-2014. More information on the Recordings page. To commemorate The Great War of 1914-1918, Raymond's setting of.

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Skip to primary content. Skip to secondary content. March 5, 2013. Hello My name is Raymond Schut and here are some of my One Act Plays. I write them for radio since Jack Benny is my hero. I can’t help but keep them 2 person, I try to bring in someone else, but I can’t find anybody! And as far as plot goes, well, again, I try to get as much plot into these things as I can, but I always seem to focus on the people. The same 2 people. Just sitting there, yakking. Where’s the drama?

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