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Salsa 101: Reflections on Latin Music

Salsa 101: Reflections on Latin Music. They were working rather than performing, as we tried to catch their smallest gestures. There were many Electricos in Cuba, but here in New York, we were unaware of them. After his style became a name called Electrico, others became known as dinamita, mecanico, el indio, Killer Joe, Cuban Pete. The Drums Have Spoken. Note: Originally written 12/13/2010). What would Arsenio, Cachao or Lecuona Think of today's Latin jazz? Ever protective of Afro-Cubanidad. All this do...

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Salsa 101: Reflections on Latin Music | salsalivelli.blogspot.com Reviews
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Salsa 101: Reflections on Latin Music. They were working rather than performing, as we tried to catch their smallest gestures. There were many Electricos in Cuba, but here in New York, we were unaware of them. After his style became a name called Electrico, others became known as dinamita, mecanico, el indio, Killer Joe, Cuban Pete. The Drums Have Spoken. Note: Originally written 12/13/2010). What would Arsenio, Cachao or Lecuona Think of today's Latin jazz? Ever protective of Afro-Cubanidad. All this do...
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Salsa 101: Reflections on Latin Music | salsalivelli.blogspot.com Reviews

https://salsalivelli.blogspot.com

Salsa 101: Reflections on Latin Music. They were working rather than performing, as we tried to catch their smallest gestures. There were many Electricos in Cuba, but here in New York, we were unaware of them. After his style became a name called Electrico, others became known as dinamita, mecanico, el indio, Killer Joe, Cuban Pete. The Drums Have Spoken. Note: Originally written 12/13/2010). What would Arsenio, Cachao or Lecuona Think of today's Latin jazz? Ever protective of Afro-Cubanidad. All this do...

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Salsa 101: Reflections on Latin Music: The Drums Have Spoken

http://salsalivelli.blogspot.com/2011/05/drums-have-spoken.html

Salsa 101: Reflections on Latin Music. The Drums Have Spoken. Note: Originally written 12/13/2010). What would Arsenio, Cachao or Lecuona Think of today's Latin jazz? Would they be welcoming the growing global phenomena of la musica. While at the same time supportive of the jazz contribution that distributed it worldwide? Ever protective of Afro-Cubanidad. Arsenio cried, "Iese maldito mambo! According to Bohemia Magazine. It is commercial materialistic greed that befouls all. July 14, 2016 at 4:07 AM.

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Salsa 101: Reflections on Latin Music: Foreplay at the Park Plaza

http://salsalivelli.blogspot.com/2010/08/foreplay-at-park-plaza.html

Salsa 101: Reflections on Latin Music. Foreplay at the Park Plaza. Fancy footwork on the dance floor was a form of foreplay, complete with perspiration, panting, and pre-coital contortion. Friction caused internal combustion in such a pressure-cooker environment, often leading to consensual mutual masturbation called “dancing.”. Where else could such somatic satisfaction be bought for a $.35 admission price? A price that could include outright orgasm? August 6, 2010 at 12:13 AM. August 8, 2010 at 7:55 PM.

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Salsa 101: Reflections on Latin Music: February 2009

http://salsalivelli.blogspot.com/2009_02_01_archive.html

Salsa 101: Reflections on Latin Music. My Greenwich Village: Walking With Ghosts. From an Interview with Vincent Livelli by Judy Samuels. Vincent Livelli first “awoke from infancy” at 117 Sullivan Street in Greenwich Village. It was when his mother took him to the window to see his first snow. She picked up a handful of snow from the window sill and put it in his hand. She taught him about fire the same way, but much more gingerly. In the 1920s, European immigration was at its peak. Vincent remembers, as...

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Salsa 101: Reflections on Latin Music: October 2008

http://salsalivelli.blogspot.com/2008_10_01_archive.html

Salsa 101: Reflections on Latin Music. A Dancer Is Born. Singers want to be actors and actors want to be dancers, but none of them want to be prize fighter. But prize fighters make good dancers. With their speed, balance, endurance and courage, they are unequaled in performance before the public. Millions of dollars are paid to witness them in action and millions are wagered on the outcomes. 8217;s training camp in the Catskills, and who took me to see Prima Carnera on stage at Loew’s Sheridan in t...

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Salsa 101: Reflections on Latin Music: March 2010

http://salsalivelli.blogspot.com/2010_03_01_archive.html

Salsa 101: Reflections on Latin Music. As I write, the Septeto Nacional is playing “Echale salsita” and “. El son es lo mas sublime para. 8220;La-di-o-de” is a sacred invocation. Latino musicians did not protest what could have been called an insult to their patrimony. Musicians can never be paid enough. Let’s remember, it was music that helped bring us out of the Great Depression, not the bankers. We sang “Happy days are here again” throughout the country, and the musicians wer...African drums have save...

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The Mamboniks: May 2010

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A repository for articles and artifacts regarding the intriguing history of Jews in Latin music. THE MAMBONIKS began in 2001 as research for a book that remains unpublished. I hope that sharing my interviews and materials will help broaden the understanding of this unique moment in Jewish cultural history. Meanwhile, Back at the Park Plaza. Posted by The Snob @ 9:35 PM. A repository for articles and artifacts regarding the intriguing history of Jews in Latin music. Players Club, Pt. 1. Cugat and the Jews.

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The Mamboniks: Meanwhile, Back at the Park Plaza....

http://mamboniks.blogspot.com/2010/05/meanwhile-back-at-park-plaza.html

A repository for articles and artifacts regarding the intriguing history of Jews in Latin music. THE MAMBONIKS began in 2001 as research for a book that remains unpublished. I hope that sharing my interviews and materials will help broaden the understanding of this unique moment in Jewish cultural history. Meanwhile, Back at the Park Plaza. Posted by The Snob @ 9:35 PM. August 2, 2010 at 10:46 PM. Subscribe to Post Comments [ Atom. Mambo at the Raleigh. Cugat and the Jews. Sidney Siegel and Seeco Records.

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Salsa 101: Reflections on Latin Music

Salsa 101: Reflections on Latin Music. They were working rather than performing, as we tried to catch their smallest gestures. There were many Electricos in Cuba, but here in New York, we were unaware of them. After his style became a name called Electrico, others became known as dinamita, mecanico, el indio, Killer Joe, Cuban Pete. The Drums Have Spoken. Note: Originally written 12/13/2010). What would Arsenio, Cachao or Lecuona Think of today's Latin jazz? Ever protective of Afro-Cubanidad. All this do...

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