sebastiancgalbo.blogspot.com

Muse

Tuesday, June 14, 2011. Curiosity sparked from reading Disgrace. Http:/ www.lannan.org/lf/rc/event/j-m-coetzee/. Waiting for the Barbarians. Sebastian C. Galbo. Friday, June 10, 2011. Digging for ideas for my Honors thesis has been a challenge. Working at. This might prove to be a seminal project for the future. Ideas/focus for the thesis:. Silence as Discourse: Otherhood, 'Madness' and the Inenarrable Narrative in the Fiction of Virginia Woolf. Titus Lucretius Carus (. De Rerum Natura, I. The singing be...

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Muse | sebastiancgalbo.blogspot.com Reviews

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Tuesday, June 14, 2011. Curiosity sparked from reading Disgrace. Http:/ www.lannan.org/lf/rc/event/j-m-coetzee/. Waiting for the Barbarians. Sebastian C. Galbo. Friday, June 10, 2011. Digging for ideas for my Honors thesis has been a challenge. Working at. This might prove to be a seminal project for the future. Ideas/focus for the thesis:. Silence as Discourse: Otherhood, 'Madness' and the Inenarrable Narrative in the Fiction of Virginia Woolf. Titus Lucretius Carus (. De Rerum Natura, I. The singing be...

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Muse | sebastiancgalbo.blogspot.com Reviews

https://sebastiancgalbo.blogspot.com

Tuesday, June 14, 2011. Curiosity sparked from reading Disgrace. Http:/ www.lannan.org/lf/rc/event/j-m-coetzee/. Waiting for the Barbarians. Sebastian C. Galbo. Friday, June 10, 2011. Digging for ideas for my Honors thesis has been a challenge. Working at. This might prove to be a seminal project for the future. Ideas/focus for the thesis:. Silence as Discourse: Otherhood, 'Madness' and the Inenarrable Narrative in the Fiction of Virginia Woolf. Titus Lucretius Carus (. De Rerum Natura, I. The singing be...

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sebastiancgalbo.blogspot.com

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Muse

http://sebastiancgalbo.blogspot.com/2011/05/butler-says-that-there-is-this.html

Wednesday, May 4, 2011. Butler tells us that in Grossman’s text Life and Fate, “the term “face” operates as a catachresis” (133). The face is strategically deployed in the text with the deliberate misapplication of the word itself. But is the text itself a kind of ‘precarious’ discursive subject? Does the text become just as ‘injurable’ and vulnerable as the face itself? Imprimis, it seems as if we take a risk in our aims to represent, or appropriate the face in the text. Levinas writes:. 8221; (139)&#46...

2

Muse: February 2011

http://sebastiancgalbo.blogspot.com/2011_02_01_archive.html

Wednesday, February 16, 2011. The (Dis)placement of Herculine Bablin. Sebastian C. Galbo. Tuesday, February 8, 2011. ROSENFELD: Thanks very much, Jacques Derrida, for agreeing to talk to us for publication in Cardozo Life. I want to ask you about your relationship to law. When did you start getting interested in law as a topic of inquiry? Cardozo is for me the place where I can. Where I can discuss what interests me in the law. DERRIDA: The hospitality at Cardozo has been precious to me. In the last ...

3

Muse: April 2011

http://sebastiancgalbo.blogspot.com/2011_04_01_archive.html

Saturday, April 30, 2011. Relatively Speaking.": Making a Case for Realism in a Postmodern Age. The idea of modernity is closely bound up with this principle that it is possible and necessary to break with tradition and to begin a new way of living and thinking. Today we can presume that this 'breaking' is, rather, a manner of forgetting or repressing the past. That's to say of repeating it. Not overcoming it. - Jean-Francois Lyotard. Sebastian C. Galbo. Wednesday, April 27, 2011. The first question that...

4

Muse

http://sebastiancgalbo.blogspot.com/2011/05/thomas-sayers-ellis-portrait-of-editor.html

Monday, May 2, 2011. A Portrait of the Editor as Invisible Man:. An Interview with Charles Henry Rowell. In the following interview, which I conducted through the mail in July, 1997, Charles H. Rowell not only reveals his vision of Callaloo; he also confesses what first made him: a rural Alabama background shaped by two protective and indulgent parents of disparate sensibilities. What were their reactions to whites? Interviewer: Where and what years did you attend college? What did you study? Interviewer...

5

Muse: March 2011

http://sebastiancgalbo.blogspot.com/2011_03_01_archive.html

Wednesday, March 23, 2011. 8220;What is this ‘I’” …? If I try to give an account of myself, if I try to make myself recognizable and understandable, then I might begin with a narrative account of my own life. But this narrative will be disoriented by what is not mine, or not mine alone. And I will, to some degree, have to make myself substitutable in order to make myself recognizable. Time, in the Heideggerian sense, is a structural component of Dasein (or, “being” in the ontological sense)&#...8211; a l...

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sebastiancgalbo.blogspot.com

Muse

Tuesday, June 14, 2011. Curiosity sparked from reading Disgrace. Http:/ www.lannan.org/lf/rc/event/j-m-coetzee/. Waiting for the Barbarians. Sebastian C. Galbo. Friday, June 10, 2011. Digging for ideas for my Honors thesis has been a challenge. Working at. This might prove to be a seminal project for the future. Ideas/focus for the thesis:. Silence as Discourse: Otherhood, 'Madness' and the Inenarrable Narrative in the Fiction of Virginia Woolf. Titus Lucretius Carus (. De Rerum Natura, I. The singing be...

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