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2016 CALL FOR ENTRIES. La Imagen en Llamas/Images in Flames: A Survey of Uruguayan Cinema. Curator/Historian Ángela López Ruiz and Filmmaker Eduardo Darino In Person. Monday, August 17, 2015 7:30 pm. Featured throughout CROSSROADS 2015.

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San Francisco Cinematheque | | sfcinematheque.org Reviews
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2016 CALL FOR ENTRIES. La Imagen en Llamas/Images in Flames: A Survey of Uruguayan Cinema. Curator/Historian Ángela López Ruiz and Filmmaker Eduardo Darino In Person. Monday, August 17, 2015 7:30 pm. Featured throughout CROSSROADS 2015.
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San Francisco Cinematheque | | sfcinematheque.org Reviews

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2016 CALL FOR ENTRIES. La Imagen en Llamas/Images in Flames: A Survey of Uruguayan Cinema. Curator/Historian Ángela López Ruiz and Filmmaker Eduardo Darino In Person. Monday, August 17, 2015 7:30 pm. Featured throughout CROSSROADS 2015.

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VOLUNTEER / INTERNSHIPS | San Francisco Cinematheque

http://www.sfcinematheque.org/volunteer

2017 CALL FOR ENTRIES. The following internships are open as of May 23, 2016. San Francisco Cinematheque’s internship program has always been, and continues to be vital to our success and vibrancy within the Bay Area’s cultural landscape. Our internships allow participants to develop professional-level responsibilities, receive training and guidance from our knowledgeable staff, and strengthen the capacity of a high-impact, low-resource non-profit arts organization. All internships are unpaid. To apply f...

2

PROGRAM 1 | San Francisco Cinematheque

http://www.sfcinematheque.org/festival/2015-touring-programs/crossroads-2015-program-1

2017 CALL FOR ENTRIES. Visitations, dreams of falls (watch them collapsing). CROSSROADS 2015 Touring Program 1. Curated by Steve Polta. It’s a reminder of our human weakness for wanting to hold what will not be held. ( Max Goldberg on Vanessa Renwick’s. Highlighted film titles link to preview videos full previews of all work available on request. Highlighted names link to artists’ websites. Original format of all works is digital video unless otherwise noted. A. 2014) by Vanessa Renwick. 1980), Ruggero D...

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Products | San Francisco Cinematheque

http://www.sfcinematheque.org/shop

2017 CALL FOR ENTRIES. Sort by most recent. CROSSROADS 2016 Iconoclast $150. CROSSROADS 2016 TOTE BAG. 20 Paul Clipson: REEL. Cinematograph vol. 2. Cinematograph vol. 4. Cinematograph vol. 5: Sentience. Cinematograph vol. 6: Big as Life. Cinematograph vol. 7: Speaking Directly. City Slivers and Fresh Kills: The Films of Gordon Matta-Clark. Dérives #3: With Stephen Dwoskin. Discrete and Continuous Boundary Problems: Lynn Marie Kirby. Making Movies out of Sex and Life. CROSSROADS 2015 TOTE BAG.

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CROSSROADS 2015 Program 5 | San Francisco Cinematheque

http://www.sfcinematheque.org/screenings/crossroads-2015-program-5

2017 CALL FOR ENTRIES. OJOBOCA: Now I Want to Laugh. Saturday, April 11, 2015 12:00 am. San Francisco, CA 94103 - MAP. CROSSROADS 2015 Program 5. Apparent Motion: Exposing the Primal Light Machine. In Person: Allison Leigh Holt; Kadet Kuhne; Michael A. Morris; Kerry Laitala and OJOBOCA. Presented in association with. 60 general/$40 Cinematheque members] available here. 10 general/$5 Cinematheque members]. Advance tickets available here. Now I Want to Laugh. 2015) by Allison Leigh Holt. The Andy Warhol Fo...

5

CROSSROADS 2015 Program 4 | San Francisco Cinematheque

http://www.sfcinematheque.org/screenings/crossroads-2015-program-4

2017 CALL FOR ENTRIES. Deborah Stratman: Second Sighted. Saturday, April 11, 2015 4:00 pm. San Francisco, CA 94103 - MAP. CROSSROADS 2015 Program 4. Forward reverse read write: conjectures about the animal. In Person: Michael Betancourt; Karissa Hahn; Jeanne Liotta; Jeremy Moss and Deborah Stratman. Presented in association with. 60 general/$40 Cinematheque members] available here. 10 general/$5 Cinematheque members]. Advance tickets available here. 2014) by Jeremy Moss. 2014) by Jeanne Liotta. Utilizes ...

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The Films of Nina Fonoroff

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6 minutes COLOR and B/W OPT. Rental Format(s): 16mm film, 24 fps - AVAILABLE 2011. A transplendent and ephemeral figure wanders desert and seashore landscapes in search of material treasures and tactile delights. This is a work in progress shot in Albuquerque, NM and Santa Cruz, CA., due for release 2010-2011. 1994 40 minutes COLOR OPT. Rental Format(s): 16mm film, 24 fps. Award: Juror's Choice Award, Black Maria Film and Video Festival. Exhibition: Museum of Modern Art, NY. NY; Pacific Film Archive.

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2009 EVENTS — CONNECTING CREATIVITY

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Overlap SF Cinematheque - Dec 4 2009. Friday, December 4, 2009. OVERLAP and SF CINEMATHEQUE at YERBA BUEN. This friday, December 4th, Overlap. Showcases it’s first collaboration with the SF Cinematheque. And Yerba Buena Center for the Arts. With two awesome audio-visual performers, Elise Baldwin and Kadet Kuhne. Holding Patterns and Collective Memories: Elise Baldwin and Kadet Kuhne at the Yerba Buena Center for the Arts. Friday, December 4, 7:30PM. Yerba Buena Center for the Arts. 28 October, 7pm 9pm.

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Kathleen Quillian

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Timeless Motion: Giving Form to the Ephemeral. Was recently published in issue #30 (MaTeRiAL Cinema) of. The online publication of Craig Baldwin's Other Cinema series. San Francisco Cinematheque Annual Art Auction. September 10, 2016. San Francisco, CA. Http:/ www.sfcinematheque.org/. October 6, 2016. The Speed of Disembodiment. Http:/ www.royalnonesuchgallery.com/. October 15, 2016. San Francisco, CA. The Speed of Disembodiment. Http:/ www.othercinema.com/. Mill Valley Film Festival. Mill Valley, CA.

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UbuWeb Film & Video

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UbuWeb: Film and Video. Igor and Gleb Aleinikov. Alive from Off Center. Art Ensemble of Chicago. Assume Vivid Astro Focus. Scott and Beth B. Black Audio Film Collective. Bruce High Quality Foundation. William S. Burroughs. Jake and Dinos Chapman. Yin-Ju Chen and James T. Hong. Segundo de Chomón. Philip K. Dick. Harry Dodge and Stanya Kahn. Ed van der Elsken. Gerhard Ertl and Sabine Hiebler. Robert Fairthorne and Brian Salt. Kit Fitzgerald and David Sanborn. Frank E. Gilbreth. Leslie Asako Gladsjø. UbuWeb...

hellonfriscobay2.blogspot.com hellonfriscobay2.blogspot.com

Hell on Frisco Bay (2005-2008 archive): August 2006

http://hellonfriscobay2.blogspot.com/2006_08_01_archive.html

Hell on Frisco Bay (2005-2008 archive). Being the journal of a cinephile haunting the remaining movie houses of the San Francisco Bay Area. Tuesday, August 29. The SF Film Society's. Newest foray into year-round programs, the SF International Animation Showcase. Will be running October 12-15 at SFMOMA. And the lineup for the four programs is nicely diverse. The October 12 selection of Bong Joon-Ho's the Host. Speaking of animation, Other Cinema. Has announced its first screening at ATA. DVD release will ...

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About | 3 Minor Waifs

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3minorwaifs is Rebecca Stoddard’s notebook. 2 responses to “. November 3, 2011 at 11:16 am. I recalled your blog today and so glad I did–thank you for sharing these inspiring works. Where do you find them? November 15, 2011 at 9:02 am. How lovely to see you here and I’m glad you find these works inspiring. I’ve so little time ability to make it out to live performances these days so I’m somewhat dependent on the virtual…. Leave a Reply Cancel reply. Enter your comment here. Bay Area Sound Ecology.

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Mic to Mic: May 2011

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Tuesday, May 10, 2011. Money Mark and Alfredo Ortiz team up for performance. Money Mark and Alfredo Ortiz will be performing together at a benefit for San Francisco Cinematique. A film society that showcases experimental film and video. The benefit will take place on Thursday, May 19 at 8 pm at 111 Minna Gallery in San Francisco. Tickets are available at Brownpapertickets.com. Friday, May 06, 2011. Inside Beastie Boys: Hot Sauce Committee Part Two. To talk about Hot Sauce Committee Part Two. Is exactly t...

courtneyfellion.com courtneyfellion.com

Gravity Spells: Bay Area New Music and Expanded Cinema Art •

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Ship without a rudder. Mise: a digital essay. Gravity Spells: Bay Area New Music and Expanded Cinema Art. I am honored to be a part of a very special publication and performance series –. Gravity Spells: Bay Area New Music and Expanded Cinema Art –. Organized by John Davis. And presented in collaboration Kala Art Institute. And San Francisco Cinematheque. More information available at Bimodal Press:. Http:/ bimodalpress.com/editions.html. More information about the performance series here:.

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25 | 3 Minor Waifs

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April 16, 2015 · 12:13 pm. To thrill a little like the. Itself into memory for. Instance, the cunt. She pressed into a. Rock as if intaglio would. The cusp, mine. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Email (Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. Bay Area Sound Ecology.

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San Francisco Cinematheque |

2016 CALL FOR ENTRIES. La Imagen en Llamas/Images in Flames: A Survey of Uruguayan Cinema. Curator/Historian Ángela López Ruiz and Filmmaker Eduardo Darino In Person. Monday, August 17, 2015 7:30 pm. Featured throughout CROSSROADS 2015.

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San Francisco Cinematheque | …writings, etc.

8230;writings, etc. On Photography: Elisabeth Subrin’s “The Fancy”. January 23, 2012. Thursday, Jan. 26 at 7pm; San Francisco Museum of Modern Art. 151 Third Street in San Francisco. Disappearing Acts: Elisabeth Subrin’s. There’s a chilling moment in Elisabeth Subrin. At no point in. Having named her new video. Subrin qualifies her title by presenting multiple definitions of the word. Two of them to believe mistakenly or without evidence and to suppose, guess neatly summarize her unique approach to b...

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RED Scarlet Dragon Rental Rates. Cinema & Video Production Reel Larry Cheuk Digital. Joyce Maynards’ New Novel After Her. Short Film Trailer The Undocumented Day. Larry Cheuk – Director of Photography. Is a San Francisco Cinematographer and has produced THOUSANDS of videos for happy clients such as PayPal, Chronicle Books, Yelp, Luminosity, and more. He produces advertising content for television and web based broadcast. You may also watch his new short film The Undocumented Day.

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