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disoriented | "Life can never be too disorienting" – Guy Debord

"Life can never be too disorienting" - Guy Debord (by sher)

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disoriented | "Life can never be too disorienting" – Guy Debord | sherdo.wordpress.com Reviews
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Life can never be too disorienting - Guy Debord (by sher)
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disoriented | "Life can never be too disorienting" – Guy Debord | sherdo.wordpress.com Reviews

https://sherdo.wordpress.com

"Life can never be too disorienting" - Guy Debord (by sher)

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1

Hacking the Relation detail1 | disoriented

https://sherdo.wordpress.com/2008/10/11/hacking-the-relation-detail1

Life can never be too disorienting – Guy Debord. A Pair of Doxa and a Paradox. Artistic Res/Arch:the propositional experience of mattering. Extreme Intervals and Sensory Fusions:The Hinge. From Psychogeography to Cybertopology. Is There a There There? KeyWorx: A Working Together Alone Reflection. She Stuttered: Mapping the Spontaneous Middle. The Tendency to Trans-: The political aethetics of the biogrammatic zone. The Translocal Event and the Polyrhythmic Diagram. John Protevi’s Blog. 11 October, 2008.

2

FLOSS+Art Book | disoriented

https://sherdo.wordpress.com/2008/10/18/flossart-book

Life can never be too disorienting – Guy Debord. A Pair of Doxa and a Paradox. Artistic Res/Arch:the propositional experience of mattering. Extreme Intervals and Sensory Fusions:The Hinge. From Psychogeography to Cybertopology. Is There a There There? KeyWorx: A Working Together Alone Reflection. She Stuttered: Mapping the Spontaneous Middle. The Tendency to Trans-: The political aethetics of the biogrammatic zone. The Translocal Event and the Polyrhythmic Diagram. John Protevi’s Blog. 18 October, 2008.

3

CoLAB | disoriented

https://sherdo.wordpress.com/colab

Life can never be too disorienting – Guy Debord. Published in Wechselwirkung, 2004. Leave a Reply Cancel reply. Enter your comment here. Please log in using one of these methods to post your comment:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. You are commenting using your Google account. ( Log Out. Notify me of new comments via email.

4

Interfaces of Performance | disoriented

https://sherdo.wordpress.com/2009/10/31/interfaces-of-performance

Life can never be too disorienting – Guy Debord. A Pair of Doxa and a Paradox. Artistic Res/Arch:the propositional experience of mattering. Extreme Intervals and Sensory Fusions:The Hinge. From Psychogeography to Cybertopology. Is There a There There? KeyWorx: A Working Together Alone Reflection. She Stuttered: Mapping the Spontaneous Middle. The Tendency to Trans-: The political aethetics of the biogrammatic zone. The Translocal Event and the Polyrhythmic Diagram. John Protevi’s Blog. Next Post ».

5

Affective Powerplay | disoriented

https://sherdo.wordpress.com/affective-powerplay

Life can never be too disorienting – Guy Debord. Published in Spielsysteme, 2006. Leave a Reply Cancel reply. Enter your comment here. Please log in using one of these methods to post your comment:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. You are commenting using your Google account. ( Log Out. Notify me of new comments via email.

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Aimar to Nora | RPTRNSPC

https://ruptures.wordpress.com/2006/12/13/aimar-to-nora-18

RUPTURE IN SPACE: translocal dance performance creation [documentation of process]. Nora Heilmann, Aimar Pérez Galí. Breathing in a box. Silence of the bone. Care of the cow. SNDO workshop at PAF. Laquo; Nora to Aimar. Nora to Aimar ». December 13, 2006. I was wearing headphones, stereo music shaking from one ear to the other. I shook my head (it’s not that easy, by the way, to do it with MMT! To shake is not easy, but I so love it. And the best is the walk afterwards. December 14, 2006 at 11:20 pm.

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Nora to Aimar | RPTRNSPC

https://ruptures.wordpress.com/2006/12/17/nora-to-aimar-24

RUPTURE IN SPACE: translocal dance performance creation [documentation of process]. Nora Heilmann, Aimar Pérez Galí. Breathing in a box. Silence of the bone. Care of the cow. SNDO workshop at PAF. Laquo; Aimar to Nora. Aimar to Nora ». December 17, 2006. This entry was posted on December 17, 2006 at 10:38 am and is filed under Uncategorized. Leave a Reply Cancel reply. Enter your comment here. Please log in using one of these methods to post your comment:. Address never made public).

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rhythm (n) | fieldings

https://fieldings.wordpress.com/2008/02/10/rhythm-n

Surely things happening at different times are also related. -John Cage. Laquo; feeling (n). February 10, 2008. Making felt the rhythms of those movements and changes. This entry was posted on February 10, 2008 at 3:57 pm and is filed under Uncategorized. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. Notify me of new comments via email.

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surprises (nora) | fieldings

https://fieldings.wordpress.com/2008/02/06/surprises-nora

Surely things happening at different times are also related. -John Cage. Laquo; listeningwatching, nora. Hair (nora) ». February 6, 2008. This entry was posted on February 6, 2008 at 2:21 pm and is filed under Uncategorized. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. Blog at WordPress.com.

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listeningwatching, nora | fieldings

https://fieldings.wordpress.com/2008/02/03/listeningwatching-nora

Surely things happening at different times are also related. -John Cage. Laquo; stress (nora). Surprises (nora) ». February 3, 2008. What worries me most is that some people talk about this piece as an audio experience. But it is important to me that it is not that, rather a crossfade from visual to audio. A constant mix, confusion, battle between the senses. Do we need to be more visible? This entry was posted on February 3, 2008 at 11:06 pm and is filed under Uncategorized. Leave a Reply Cancel reply.

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09.02.2008 feeldings (pablo) | fieldings

https://fieldings.wordpress.com/2008/02/09/09022008-feeldings-pablo

Surely things happening at different times are also related. -John Cage. Laquo; intensities (n). Exposing (n) ». February 9, 2008. An israeli woman sits in the bus. she spots someone that looks suspicious and thinks he might be about to blow himself up. she gets stressed, and doesn’t know wether she should get up and do something, wether she should try to tell the bus driver or something like that. This entry was posted on February 9, 2008 at 11:48 pm and is filed under Uncategorized.

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audience (n) | fieldings

https://fieldings.wordpress.com/2008/02/10/audience-n

Surely things happening at different times are also related. -John Cage. Next Post ». February 10, 2008. I thought, performing the work would inform us and then we would know if it was a good idea to do it the way we did. But actually, I must say, I am still not completely grasping what was activated, because there is no general opinion, assumption, judgment possible. So many different views. We should open a blog for the audience to be informed about their thoughts. Leave a Reply Cancel reply.

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negotiating power (n) | fieldings

https://fieldings.wordpress.com/2008/02/08/negotiating-power-n

Surely things happening at different times are also related. -John Cage. Laquo; chairfield in retrospect (n). Intensities (n) ». February 8, 2008. This entry was posted on February 8, 2008 at 10:56 am and is filed under Uncategorized. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out.

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hair (nora) | fieldings

https://fieldings.wordpress.com/2008/02/07/hair-nora

Surely things happening at different times are also related. -John Cage. Laquo; surprises (nora). Coin (n) ». February 7, 2008. When I woke up this morning and first encountered a mirror, I thought my hair had also been contaminated by polyrhythmic excitement, displacing beat and order towards chaotic mess. This entry was posted on February 7, 2008 at 2:20 pm and is filed under Uncategorized. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:.

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being part of it (n) | fieldings

https://fieldings.wordpress.com/2008/02/08/being-part-of-it-n

Surely things happening at different times are also related. -John Cage. Laquo; coin (n). Chairfield in retrospect (n) ». Being part of it (n). February 8, 2008. This entry was posted on February 8, 2008 at 10:39 am and is filed under Uncategorized. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Google account. ( Log Out.

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disoriented | "Life can never be too disorienting" – Guy Debord

Life can never be too disorienting – Guy Debord. 4 September, 2010. Here’s a paper on Artistic Research I gave as a keynote at the Society for Literature, Science and Art (SLSAeu) in Riga on 19 June, 2010. 31 October, 2009. The Tendency to Trans-. Chapter Nine: The tendency to ‘trans’:the politcal aesthetics of the biogrammatic zone. 18 October, 2008. 18 October, 2008. 11 October, 2008. Hacking the Relation detail4. 11 October, 2008. Hacking the Relation detail3. 11 October, 2008. 11 October, 2008.

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