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Shimamoto Sound- Recording Studio Philadelphia and Record Label Philly
Philadelphia Recording Studio and Record Label. CD Duplication and Distribution. Go to part: a. Tchad Blake on the Ahuja by Stephen Murray. Tell me about the Ahuja. So the Ahuja is the sort of PA system that they use? So they've got spontaneous personal broadcasts going? So do you send the signal back out through the board and into the Ahuja for re-recording? It sounds like your attraction to it is based on both the unit's sonic properties and the experience that introduced you to it. Go to part: a.
recordingstudioh.shimamotosound.com
Shimamoto Sound- Recording Studio Philadelphia and Record Label Philly
Philadelphia Recording Studio and Record Label. CD Duplication and Distribution. Go to part: a. Makin' Copies: The Ins and Outs of Professional CD Replication by Colin Bogart. If you re like many independent musicians today, your music is online and ready to be downloaded the world over. Assuming you haven t done it already, you re probably thinking of releasing a CD on your own. Why wait for some label contract when you can do it yourself, right? First ask yourself "Why am I making a CD? Some designers ...
recordingstudioe.shimamotosound.com
Shimamoto Sound- Recording Studio Philadelphia and Record Label Philly
Philadelphia Recording Studio and Record Label. CD Duplication and Distribution. Go to part: a. Getting Good-Sounding Drum Tracks using only 3 or 4 Tracks. This is an article that I've written, not as a response to, but let's say as an addition to, articles about drum recording that I have previously read in Tape Op. A more technical,"tracking" point of view, as far as signal flow is concerned. Sometimes even my clients are But more importantly, my drum sounds are always relatively separate, and if captu...
recordingstudioi.shimamotosound.com
Shimamoto Sound- Recording Studio Philadelphia and Record Label Philly
Philadelphia Recording Studio and Record Label. CD Duplication and Distribution. Go to part: a. Greg Sage of Zeno Studios and The Wipers by Bryan Bingold. How did you first get into recording? What initially spawned you? Did you graduate to a four track? Yeah I think the first tape machine I had was a four track Tascam and a small eight channel mixing board. Then it just kinda took off? What was the first band you recorded besides yourself or The Wipers? Did you ever have a job at an outside studio?
recordingstudioj.shimamotosound.com
Shimamoto Sound- Recording Studio Philadelphia and Record Label Philly
Philadelphia Recording Studio and Record Label. CD Duplication and Distribution. Go to part: a. Small Audio Businesses: Brent Averill, Wes Dooley and Jim Williams. Wes Dooley: Audio Engineering Associates. AEA seems to do a little of everything. You manufacture microphones, you sell other companies products - do you see any particular future direction for the company? How do you feel about the current directions of audio recording? And it's a lot smaller than a 30 ips, 1/2' 2-track. When you decided to b...
recordingstudiof.shimamotosound.com
Shimamoto Sound- Recording Studio Philadelphia and Record Label Philly
Philadelphia Recording Studio and Record Label. CD Duplication and Distribution. Go to part: a. Enters DBX with their 386 dual vacuum tube preamp. They have combined tubes with some cleaver algorithms to create a box that acts like the front end of the tape machine for the computer. By means of their Tape Saturation Emulation (TSE) and the DBX Type IV conversion system, the 386 aims towards these ends. On the digital output of the 386 are lots of options. Bit wise it can handle 24, 20 and 16 bit word...
recordingstudioa.shimamotosound.com
Shimamoto Sound- Recording Studio Philadelphia and Record Label Philly
Philadelphia Recording Studio and Record Label. CD Duplication and Distribution. Go to part: a. The Making of Amateurism:. Mastering a retrospective CD from a variety of old source tapes. By David Nichols and Greg Wadley. Go to part: a. 149; Computer System Cleanup Philadelphia. 149; Custom Computer Systems Philadelphia. 149; Emergency PC Service Philadelphia. 149; Tech Philly: Computer Repair Philadelphia. 149; Tech Philly: Philadelphia Computer Repair. 149; Data Recovery. 149; Tech Support Philadelphia.
recordingstudioc.shimamotosound.com
Shimamoto Sound- Recording Studio Philadelphia and Record Label Philly
Philadelphia Recording Studio and Record Label. CD Duplication and Distribution. Go to part: a. An Interns's Confession by Brian Bingold. What can I say? All of these became enveloped into my vocabulary, but I didn't know what they meant. I decided it was time to get an internship. Is it professionally run? What's the influx of clientele? What are the hours of operation? Can you fit it into your schedule? With me, I chose Larry Crane and Jackpot! What would they react to? Go to part: a.
recordingstudiod.shimamotosound.com
Shimamoto Sound- Recording Studio Philadelphia and Record Label Philly
Philadelphia Recording Studio and Record Label. CD Duplication and Distribution. Go to part: a. A low cost, high quality analog studio? Another factor not to be overlooked is the need for regular maintenance and occasional repairs. The good news is that older analog gear was built to be repaired, unlike most modern equipment. Factor these expenses into your overall budget when evaluating used gear; in my experience, I still come out far ahead purchasing well-maintained older components. Go to part: a.
recordingstudiog.shimamotosound.com
Shimamoto Sound- Recording Studio Philadelphia and Record Label Philly
Philadelphia Recording Studio and Record Label. CD Duplication and Distribution. Go to part: a. To Build A Studio? The majority of a studio equipment budget will be divided among four classifications of equipment:. 1 multi track and two track recorders. 1" 8-track recorder - Ampex 440B-8 ($1,500) or Otari MX80-8 ($3,500) The Ampex 440 is the bulletproof workhorse of the audio industry. But the advanced transport controls on the much newer Otari will make overdubbing and punch-ins less of a chore.