fortnightlyreview.co.uk
The Fortnightly Review › Who is Bruce Springsteen?
http://fortnightlyreview.co.uk/2013/03/bruce-springsteen
039;the stroke of an oar given in true time'. 32; • Chronicle and Notices. Who is Bruce Springsteen? A Fortnightly Review of. By Peter Ames Carlin. Touchstone/Simon and Schuster 512 pp $. They knew, they were encouraged to. They knew, but they didn’t know. Bruce. Peter Ames Carlin’s impressively detailed hagiography, does its best to illuminate Springsteen’s character but often succumbs to the rock writer’s classic temptation and confuses access with insight, mistaking soot for soil. What did Springste...
fortnightlyreview.co.uk
The Fortnightly Review › 2D or not to be.
http://fortnightlyreview.co.uk/2014/05/2d-be
039;the stroke of an oar given in true time'. 32; • Chronicle and Notices. 2D or not to be. On Using Etiquette to Promote Culture and Culture to Promote Reality. EVEN AS JEREMIADS for the humanities continue to ring out everywhere, a new study. A film, a book or a poem. Or, to put this in terms to which a humanist might more readily relate, there are no facts, only art, which makes poets the unacknowledged legislators of the world. There remains a critical distinction to be made between a society where.
fortnightlyreview.co.uk
The Fortnightly Review › Clues & Labyrinths
http://fortnightlyreview.co.uk/category/clues-labyrinths
039;the stroke of an oar given in true time'. 32; • Chronicle and Notices. Index: Clues and Labyrinths. Monday, 21 July 2014. Click to email this to a friend (Opens in new window). Click to share on Pocket (Opens in new window). Click to share on Reddit (Opens in new window). Click to share on Twitter (Opens in new window). Click to share on Facebook (Opens in new window). Click to share on LinkedIn (Opens in new window). Click to print (Opens in new window). Also filed in Poetry and Fiction. Click to ...
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The Fortnightly Review › Octavio Paz in Cambridge, 1970.
http://fortnightlyreview.co.uk/2015/07/octavio-paz
039;the stroke of an oar given in true time'. 32; • Chronicle and Notices. Octavio Paz in Cambridge, 1970. 8212;————————–. A bundle of reflections. 8212;————. 8212;———————. Left in my hands. 8212;——————————————————————-. I walk without moving forward. 8212;———————————–. 8212;————————————————————————–. Never reach where we are. 8212;———————————–. The present is untouchable. With great difficulty, going forward millimetres as year, I am. Cutting a passage through the rock. I have been spending the second.
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The Fortnightly Review › Writing to Shakespeare.
http://fortnightlyreview.co.uk/2014/12/letter-william-shakespeare
039;the stroke of an oar given in true time'. 32; • Chronicle and Notices. Translation by Hoyt Rogers. SUPPOSING I WROTE you, Shakespeare but why? I see you: you’re standing in a corner of the theatre. It’s cold, and a wind seems to be blowing. You’re talking to several men, young and old. One of them will be Hamlet; another, Ophelia. Do you have an idea to explain to them? Had meditated on the meaning you would give to its characters and their relationships, we would no longer read you today: you woul...
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The Fortnightly Review › Reflections on Walter Benjamin 5.
http://fortnightlyreview.co.uk/2015/03/reflections-benjamin-5
039;the stroke of an oar given in true time'. 32; • Chronicle and Notices. Reflections on Walter Benjamin 5. Walter Benjamin and Aby Warburg:. Photographs of Heaven, Photographs of Hell. No 5 in a Series. To Benjamin, the popular post card ‘uttered a truth about the age which more arcane modalities might easily disguise’. In the eighteenth century written correspondence was frequent but also frequently chaotic. The recipient would often be the one expected to pay, and there were no clear rules as t...
fortnightlyreview.co.uk
The Fortnightly Review › Dossier: Reflections on Walter Benjamin
http://fortnightlyreview.co.uk/category/dossier-reflections-on-walter-benjamin
039;the stroke of an oar given in true time'. 32; • Chronicle and Notices. Index: Dossier: Reflections on Walter Benjamin. Reflections on Walter Benjamin 9. Monday, 22 February 2016. Click to email this to a friend (Opens in new window). Click to share on Pocket (Opens in new window). Click to share on Reddit (Opens in new window). Click to share on Twitter (Opens in new window). Click to share on Facebook (Opens in new window). Click to share on LinkedIn (Opens in new window). Friday, 18 December 2015.
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The Fortnightly Review › The apophatic poetry of André du Bouchet.
http://fortnightlyreview.co.uk/2015/04/andre-du-bouchet-riley
039;the stroke of an oar given in true time'. 32; • Chronicle and Notices. The apophatic poetry of André du Bouchet. Openwork: poetry and prose. Selected, translated and presented by Paul Auster and Hoyt Rogers. Yale University Press Hardcover 364pp. (Bilingual text) $. Du Bouchet’s poetry eludes identification from start to finish and you’re liable to end up speaking entirely in negatives. But first a caveat. In my mouth and under my feet. Man given back [homme repris]. What I say makes you laugh.
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The Fortnightly Review › A portfolio from ‘Openwork’.
http://fortnightlyreview.co.uk/2014/09/open-work
039;the stroke of an oar given in true time'. 32; • Chronicle and Notices. A portfolio from ‘Openwork’. By ANDRÉ du BOUCHET. Translations by Paul Auster and Hoyt Rogers. THE FIRST BLOW echoes forever on the metal box. We hear everything that breathes. The lamppost’s icy gold quivers in the bath. You a voice of air swallowed by air. And rolling in the room once more. In the thick of night I saw a door blazing like a sun. I cannot leave the room till the earth itself becomes the blade of earth. Ordinary ...
