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Terri Paddock | The founder of WhatsOnStage.com on all things personal and theatrical

Welcome Hello and welcome to my new digital existence. If you've come across this site now, chances are that you knew me in my former role, as the driving

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Terri Paddock | The founder of WhatsOnStage.com on all things personal and theatrical | terripaddock.com Reviews
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Terri Paddock | The founder of WhatsOnStage.com on all things personal and theatrical | terripaddock.com Reviews

https://terripaddock.com

Welcome Hello and welcome to my new digital existence. If you've come across this site now, chances are that you knew me in my former role, as the driving

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1

Terri's testimonials | Terri Paddock

http://www.terripaddock.com/testimonials

What I Learned Today. What I Learned Today. I’ve worked with some incredible, and incredibly inspiring, people over my many years in the UK theatre and media industries. Here’s what some of them have said about me. For other endorsements, connect with me on LinkedIn. Artistic Director, Headlong Theatre. I have enjoyed working with Terri for many years, on events around productions, as a journalist and a commentator. She is highly knowledgeable and perceptive, and a great champion of theatre. Terri chaire...

2

Rock operas: How much does American Idiot owe to Tommy? | Terri Paddock

http://www.terripaddock.com/rock-operas-how-much-does-american-idiot-owe-to-tommy

What I Learned Today. What I Learned Today. Rock operas: How much does. Buy tickets for American Idiot. Ashley Birchall in Tommy vs Aaron Sidwell in American Idiot: both onstage in London in August 2015. Birth-wise, more than three decades separate The Who’s. But location-wise, the distance is only three short train stops, from London’s Charing Cross to Greenwich. That is, for the next few weeks in any case. The fact that Green Day. Credited the work of The Who. The American punk rock band founded in 198...

3

Tweets | Terri Paddock

http://www.terripaddock.com/tweets

What I Learned Today. What I Learned Today. Twitter is where I am most active, regularly breaking theatre news and gossip, and sharing lots of other great content sources and opinions. You can follow me directly @TerriPaddock. Join my email list. I promise not to blast you more than once a month with updates from my site and what I’m up to! 2014 Terri Paddock Website by Graphic Design London.

4

You’re invited: Join my post-show panel debates at The Father | Terri Paddock

http://www.terripaddock.com/thefatherpanels

What I Learned Today. What I Learned Today. You’re invited: Join my post-show panel debates at. This slideshow requires JavaScript. New speakers now added for “Women in the Arts” debate on Tuesday 7 April – London. Chief arts correspondent Louise Jury and writer-director-feminist Fiona Laird. So when actor-producer Emily Dobbs. I nearly bit her hand off. Post-show events are an extension and enhancement of the theatrical ‘shared experience’. Being the Twitter addict that I am, I’m also keen to whip up so...

5

Terri's Blog: Theatrical | Terri Paddock

http://www.terripaddock.com/category/terris-blog/theatrical

What I Learned Today. What I Learned Today. Terri’s Blog: Theatrical. Terri’s Blogs: Theatrical. My theatre blogs are usually in response to something in the news or to something I’ve seen or read. For my “Terri’s Top Picks” click on the Recommendations. Tag Other regular tags that I use including Inspiring People. For the very latest news, gossip and all-round theatre buzz, check out my Tweets page. Or follow me on Twitter @TerriPaddock. Debate" Photos and podcast: Breaking taboos at Lazarus. Could the ...

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Victorian Opera: Sweeney Todd review – Simon Parris: Man in Chair

https://simonparrismaninchair.com/2015/07/19/victorian-opera-sweeney-todd-review

Simon Parris: Man in Chair. Music Theatre, Opera and Ballet Reviews, News and Views. Victorian Opera: Sweeney Todd review. July 19, 2015. Sterling musicianship, high production values and a quirky, highly talented cast bring out the compelling lustre in Stephen Sondheim and Hugh Wheeler’s dark operetta. Which is put to excellent use in this handsome, expertly realised production. Masterfully thorough preparation by musical director Phoebe Briggs results in a highly polished performance of the fiendishly ...

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The Australian Ballet: Alexei Ratmansky’s Cinderella review #2 [2015] – Simon Parris: Man in Chair

https://simonparrismaninchair.com/2015/06/24/the-australian-ballet-alexei-ratmanskys-cinderella-review-2015

Simon Parris: Man in Chair. Music Theatre, Opera and Ballet Reviews, News and Views. The Australian Ballet: Alexei Ratmansky’s Cinderella review #2 [2015]. June 24, 2015. A second opportunity arose to see. A visit made all the sweeter by the surprise appearance of Madeleine Eastoe in the title role. Nominated for a Helpmann Award. After such shared joy, the crushing disappointment of her loss after midnight is particularly affecting. Daniel Gaudiello, who danced The Prince in the 2013 premiere. Retains a...

simonparrismaninchair.com simonparrismaninchair.com

Strictly Ballroom the Musical review [Melbourne] – Simon Parris: Man in Chair

https://simonparrismaninchair.com/2015/01/18/strictly-ballroom-the-musical-review-melbourne

Simon Parris: Man in Chair. Music Theatre, Opera and Ballet Reviews, News and Views. Strictly Ballroom the Musical review [Melbourne]. January 18, 2015. Boasting lavish designs and sensational choreography,. Strictly Ballroom the musical. Arrives in Melbourne a polished, pristine panoply of pleasures. The cherished story sees restless young dancer Scott Hasting yearn to move beyond the confines of the strictly ballroom by dancing his own steps. Scott finds a willing accomplice in wallflower Fran, att...

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Opera Australia Announces Season 2016 – Simon Parris: Man in Chair

https://simonparrismaninchair.com/2015/08/12/opera-australia-announces-season-2016

Simon Parris: Man in Chair. Music Theatre, Opera and Ballet Reviews, News and Views. Opera Australia Announces Season 2016. August 12, 2015. Anniversary year, Opera Australia presents a range of mainstage operas and special events, while continuing to take opera to regional centres. Sydney’s year of opera begins with recent oft-seen productions. Directed by Gale Edwards,. Elijah Moshinsky’s much-praised 1920s version of. The Barber of Seville. Returns to Sydney. Francesca Zambello’s 2005 production of.

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Simon Parris – Simon Parris: Man in Chair

https://simonparrismaninchair.com/author/simonparrismaninchair

Simon Parris: Man in Chair. Music Theatre, Opera and Ballet Reviews, News and Views. I have appeared in about 40 productions over the past thirty-three years. Favourite roles include Eugene Fodor and Junior in (separate productions of) Crazy for You, Mr Fox in Mack and Mabel, Max in The Sound of Music, Freddy in My Fair Lady, Julio in Paint Your Wagon, Marcellus in The Music Man and Grantaire in Les Miserables. Bangarra Dance Theatre: OUR Land People Stories review [Melbourne]. September 3, 2016. In a hi...

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Opera – Simon Parris: Man in Chair

https://simonparrismaninchair.com/category/opera

Simon Parris: Man in Chair. Music Theatre, Opera and Ballet Reviews, News and Views. Melbourne Opera: Tannhäuser review. August 18, 2016. Melbourne Opera makes a quantum leap in scale of production, crossing Collins St to present a majestic, immensely satisfying production of Tannhäuser at the Regent Theatre. Victorian Opera: Laughter and Tears review. August 14, 2016. Victorian Opera: The Pied Piper review. July 29, 2016. Roberto Alagna in Concert review [Melbourne 2016]. July 28, 2016. July 17, 2016.

simonparrismaninchair.com simonparrismaninchair.com

Simon Gleeson: Elements album review – Simon Parris: Man in Chair

https://simonparrismaninchair.com/2015/07/09/simon-gleeson-elements-album-review

Simon Parris: Man in Chair. Music Theatre, Opera and Ballet Reviews, News and Views. Simon Gleeson: Elements album review. July 9, 2015. Acclaimed singing actor Simon Gleeson shares an eclectic mix of heartfelt ballads in his debut album. Music theatre audiences who have heard Gleeson’s extraordinary voice live in the theatre will welcome the chance to listen and re-listen to him sing on this recording. Are from roles he has played on stage. Foremost is Bring Him Home, the prayer he currently sings e...

simonparrismaninchair.com simonparrismaninchair.com

Victorian Opera: I Puritani review – Simon Parris: Man in Chair

https://simonparrismaninchair.com/2015/07/03/victorian-opera-i-puritani-review

Simon Parris: Man in Chair. Music Theatre, Opera and Ballet Reviews, News and Views. Victorian Opera: I Puritani review. July 3, 2015. A triumphant success, Victorian Opera’s one-night concert presentation of. Was a finely honed musical showcase focused on the splendour and beauty of the voice. Freed from the trappings of a fully staged production, Bellini’s gloriously melodious music more than stood up to having the spotlight shone directly on orchestra, chorus and soloists. The focal point of the conce...

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West End – Simon Parris: Man in Chair

https://simonparrismaninchair.com/category/west-end

Simon Parris: Man in Chair. Music Theatre, Opera and Ballet Reviews, News and Views. In The Heights review [London 2016]. January 25, 2016. While music theatre fans across the globe wait to have the chance to see Hamilton, we still have the zesty, heartfelt pleasure of In The Heights to enjoy. New Adventures: Matthew Bourne’s Sleeping Beauty review. January 25, 2016. The Royal Ballet: Rhapsody / The Two Pigeons review. January 24, 2016. Donmar Warehouse: Les Liaisons Dangereuses review. January 23, 2016.

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