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The Jazz Clarinet

Tuesday, July 21, 2015. Mr Acker Bilk and His Paramount Jazz Band * The Seven Ages of Acker * 1959. In a Persian Market (Ketelby). I'm Going Home (Bilk). Ory's Creole Trombone (Ory). The Light from the Lighthouse (Traditional). The *** Hussar (Lincke). Cushion Foot Stomp (Williams). Run Come See Jerusalem (Blake). Old Comrades March (Teike). Mr Acker Bilk * clarinet, vocals. Mr J Mortimer * trombone. Mr K Sims * trumpet. Mr R McKay * traps, background vocal on "The Light from the Lighthouse". Highest rat...

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The Jazz Clarinet | thejazzclarinet.blogspot.com Reviews
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Tuesday, July 21, 2015. Mr Acker Bilk and His Paramount Jazz Band * The Seven Ages of Acker * 1959. In a Persian Market (Ketelby). I'm Going Home (Bilk). Ory's Creole Trombone (Ory). The Light from the Lighthouse (Traditional). The *** Hussar (Lincke). Cushion Foot Stomp (Williams). Run Come See Jerusalem (Blake). Old Comrades March (Teike). Mr Acker Bilk * clarinet, vocals. Mr J Mortimer * trombone. Mr K Sims * trumpet. Mr R McKay * traps, background vocal on The Light from the Lighthouse. Highest rat...
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The Jazz Clarinet | thejazzclarinet.blogspot.com Reviews

https://thejazzclarinet.blogspot.com

Tuesday, July 21, 2015. Mr Acker Bilk and His Paramount Jazz Band * The Seven Ages of Acker * 1959. In a Persian Market (Ketelby). I'm Going Home (Bilk). Ory's Creole Trombone (Ory). The Light from the Lighthouse (Traditional). The *** Hussar (Lincke). Cushion Foot Stomp (Williams). Run Come See Jerusalem (Blake). Old Comrades March (Teike). Mr Acker Bilk * clarinet, vocals. Mr J Mortimer * trombone. Mr K Sims * trumpet. Mr R McKay * traps, background vocal on "The Light from the Lighthouse". Highest rat...

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thejazzclarinet.blogspot.com thejazzclarinet.blogspot.com
1

The Jazz Clarinet: March 2015

http://www.thejazzclarinet.blogspot.com/2015_03_01_archive.html

Tuesday, March 31, 2015. Eric Seddon's Hot Club "Blue Skies". Another clip from our debut at The Wine Spot. As part of ChamberFest Cleveland's. Eric Seddon, clarinet. Bob "Mad Dog" McGuire, guitar. Gene Epstein, double bass. Bill Fuller, drums. Labels: Eric Seddons Hot Club. Sunday, March 29, 2015. Eric Seddon's Hot Club "Tin Roof Blues" Live. Here is another clip from our debut performance at The Wine Spot. Eric Seddon, clarinet. Bob "Mad Dog" McGuire, guitar. Gene Epstein, double bass. Has averaged sev...

2

The Jazz Clarinet: April 2015

http://www.thejazzclarinet.blogspot.com/2015_04_01_archive.html

Saturday, April 4, 2015. Eric Seddon's Hot Club * Just a Closer Walk With Thee * Live at The Wine Spot. If there's one tune that is most associated with jazz clarinet, particularly from the instrument's roots in the Crescent City, it's probably "Just A Closer Walk With Thee." Two of the patriarchs of jazz clarinet, Pete Fountain and George Lewis, released multiple classic versions of this hymn, and it was one I knew we had to have at the debut performance of Eric Seddon's Hot Club. Join The Jazz Clarinet!

3

The Jazz Clarinet: September 2014

http://www.thejazzclarinet.blogspot.com/2014_09_01_archive.html

Thursday, September 11, 2014. No America, No Jazz": Some Reflections on the Place of Jazz in American Culture on the Anniversary of 9/11. Art Blakey summarized and resolved many historical and philosophical difficulties when uttering his compact assessment of the origins of jazz:. Jazz is known all over the world. As an American musical art form. And that’s it. No America, no jazz.". Finally, the ultimate paradox: Jazz is respected in many places globally more than its homeland. Big name jazz musicia...

4

The Jazz Clarinet: May 2015

http://www.thejazzclarinet.blogspot.com/2015_05_01_archive.html

Thursday, May 21, 2015. In Tune" Column for EARLYJAS. I'm happy to announce that I've been asked to take over Bill Fuller's "In Tune" column, which he's written for nearly twenty years, in the Earlyjas Rag- the newsletter of the Earlyjas Society here in Northeast Ohio. My first column will be published in June's issue, then Bill and I will alternate for a few before I take over full time next year. I was introduced to the Earlyjas Society. Eric Seddons Hot Club. Friday, May 1, 2015. In Tune Column for EA...

5

The Jazz Clarinet: Reginald Kell's 1951 Recording of Mozart's Clarinet Quintet K581

http://www.thejazzclarinet.blogspot.com/2012/03/review-reginald-kell-mozart-k581.html

Monday, July 6, 2015. Reginald Kell's 1951 Recording of Mozart's Clarinet Quintet K581. Reginald Kell's clarinet playing is of interest to jazz clarinetists largely because he was an influential teacher of Benny Goodman, and therefore had a direct influence on the history of jazz clarinet sound and technique. He is also one of the few classical clarinetists cited by Pete Fountain, not necessarily as an influence, but as an admired player in terms of sound production. Reginald Kell, clarinet. It to the au...

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The Pop of Yestercentury. More Hep Than Hip. Tag Archives: richard ward. The Jim-Dandies Have More To Offer. After ninety years and a few musical revolutions, it might seem like The Jim-Dandies were just waiting for other musicians to arrive and teach them how to “really swing:. Spent most of his life and career in New York) might instead represent what Louis Metcalf meant. And Metcalf’s former boss in St. Louis, Charlie Creath. More than regional demarcations. Jazz Clarinet, The (Eric Seddon). Jazz Wax ...

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The Pop of Yestercentury. More Hep Than Hip. Tag Archives: wah-wah evolution. The Jim-Dandies Have More To Offer. After ninety years and a few musical revolutions, it might seem like The Jim-Dandies were just waiting for other musicians to arrive and teach them how to “really swing:. Spent most of his life and career in New York) might instead represent what Louis Metcalf meant. And Metcalf’s former boss in St. Louis, Charlie Creath. More than regional demarcations. Jazz Clarinet, The (Eric Seddon).

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The Pop of Yestercentury. More Hep Than Hip. Tag Archives: twenties modernism. The Jim-Dandies Have More To Offer. After ninety years and a few musical revolutions, it might seem like The Jim-Dandies were just waiting for other musicians to arrive and teach them how to “really swing:. Spent most of his life and career in New York) might instead represent what Louis Metcalf meant. And Metcalf’s former boss in St. Louis, Charlie Creath. More than regional demarcations. Jazz Clarinet, The (Eric Seddon).

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melodic paraphrase | The Pop of Yestercentury

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The Pop of Yestercentury. More Hep Than Hip. Tag Archives: melodic paraphrase. Lem Fowler’s Jim-Dandies On “Shake That Thing”. Ear witnesses to the twenties recount lengthy jam sessions, beyond the reach of period technology, under the radar of that era’s commercially oriented record companies and now just stories about what the musicians really sounded like. It makes a record like The Jim-Dandies’ Shake That Thing something of an anomaly as well as an echo:. I’m covering Binyon, how. US Census records s...

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twenties jam session | The Pop of Yestercentury

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The Pop of Yestercentury. More Hep Than Hip. Tag Archives: twenties jam session. Lem Fowler’s Jim-Dandies On “Shake That Thing”. Ear witnesses to the twenties recount lengthy jam sessions, beyond the reach of period technology, under the radar of that era’s commercially oriented record companies and now just stories about what the musicians really sounded like. It makes a record like The Jim-Dandies’ Shake That Thing something of an anomaly as well as an echo:. Jazz Clarinet, The (Eric Seddon). You Don&#...

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regional styles | The Pop of Yestercentury

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The Pop of Yestercentury. More Hep Than Hip. Tag Archives: regional styles. The Jim-Dandies Have More To Offer. After ninety years and a few musical revolutions, it might seem like The Jim-Dandies were just waiting for other musicians to arrive and teach them how to “really swing:. Spent most of his life and career in New York) might instead represent what Louis Metcalf meant. And Metcalf’s former boss in St. Louis, Charlie Creath. More than regional demarcations. Jazz Clarinet, The (Eric Seddon). Jazz W...

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The Pop of Yestercentury. More Hep Than Hip. Lem Fowler’s Jim-Dandies On “Shake That Thing”. Ear witnesses to the twenties recount lengthy jam sessions, beyond the reach of period technology, under the radar of that era’s commercially oriented record companies and now just stories about what the musicians really sounded like. It makes a record like The Jim-Dandies’ Shake That Thing something of an anomaly as well as an echo:. And clarinetist/saxophonist Percy Glascoe trading solo statements. You Don&#039...

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The Pop of Yestercentury. More Hep Than Hip. Tag Archives: Eastern style. The Jim-Dandies Have More To Offer. After ninety years and a few musical revolutions, it might seem like The Jim-Dandies were just waiting for other musicians to arrive and teach them how to “really swing:. Spent most of his life and career in New York) might instead represent what Louis Metcalf meant. And Metcalf’s former boss in St. Louis, Charlie Creath. More than regional demarcations. Ear witnesses to the twenties recount leng...

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The Pop of Yestercentury. More Hep Than Hip. Tag Archives: Palledo Orchestra. The Jim-Dandies Have More To Offer. After ninety years and a few musical revolutions, it might seem like The Jim-Dandies were just waiting for other musicians to arrive and teach them how to “really swing:. Spent most of his life and career in New York) might instead represent what Louis Metcalf meant. And Metcalf’s former boss in St. Louis, Charlie Creath. More than regional demarcations. Jazz Clarinet, The (Eric Seddon).

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Tuesday, July 21, 2015. Mr Acker Bilk and His Paramount Jazz Band * The Seven Ages of Acker * 1959. In a Persian Market (Ketelby). I'm Going Home (Bilk). Ory's Creole Trombone (Ory). The Light from the Lighthouse (Traditional). The Gay Hussar (Lincke). Cushion Foot Stomp (Williams). Run Come See Jerusalem (Blake). Old Comrades March (Teike). Mr Acker Bilk * clarinet, vocals. Mr J Mortimer * trombone. Mr K Sims * trumpet. Mr R McKay * traps, background vocal on "The Light from the Lighthouse". Highest rat...

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