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Tim Neath - Visual Artist

Tim Neath – Visual Artist. Hateful Eight (2015) trailer thoughts. A day late I admit, nonetheless I have to share my thoughts about the first trailer that shows footage from. 2015), which is very much promoting 70mm film. Even the trailer retains that dimension, whilst focusing mostly on both. Samuel L. Jackson. John ‘The Hangman’ Ruth. In what appears a real departure from. 2012) very much a western blaxploitation film. Here we have something more mainstream, crossed with. Samuel L. Jackson. A man of ac...

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Tim Neath - Visual Artist | timneath.wordpress.com Reviews
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Tim Neath – Visual Artist. Hateful Eight (2015) trailer thoughts. A day late I admit, nonetheless I have to share my thoughts about the first trailer that shows footage from. 2015), which is very much promoting 70mm film. Even the trailer retains that dimension, whilst focusing mostly on both. Samuel L. Jackson. John ‘The Hangman’ Ruth. In what appears a real departure from. 2012) very much a western blaxploitation film. Here we have something more mainstream, crossed with. Samuel L. Jackson. A man of ac...
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Tim Neath - Visual Artist | timneath.wordpress.com Reviews

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Tim Neath – Visual Artist. Hateful Eight (2015) trailer thoughts. A day late I admit, nonetheless I have to share my thoughts about the first trailer that shows footage from. 2015), which is very much promoting 70mm film. Even the trailer retains that dimension, whilst focusing mostly on both. Samuel L. Jackson. John ‘The Hangman’ Ruth. In what appears a real departure from. 2012) very much a western blaxploitation film. Here we have something more mainstream, crossed with. Samuel L. Jackson. A man of ac...

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Works | Tim Neath - Visual Artist

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Tim Neath – Visual Artist. Making Revisions (work in progress). Http:/ www.tumblr.com. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. You are commenting using your Google account. ( Log Out. Notify me of new comments via email.

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Artist Statement | Tim Neath - Visual Artist

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Tim Neath – Visual Artist. Neath is a lone artist riding his horse through the wilderness of the myth of conquest; the Western. Strolling into empty spaces where he finds clichés to explore, building cardboard and balsa model miniature towns, devoid of life, ever changing in form as the models disintegrate, new ones taking their place acting as film sets to be photographed and filmed. 1945) dir. Lean to the single beds. 1942) dir. Wyler. Nodding his hat in the direction of artists such the. He will alway...

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Exhibitions | Tim Neath - Visual Artist

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Tim Neath – Visual Artist. That’ll Be the Day – Arundel Gate Court, Sheffield 18-21/10/11. Sculpture Show Arundel Gate Court, Sheffield 13-24/2/12. Spectrum Degree Show, Arundel Gate Court, Sheffield 6-23/6/12. P is for,. Pedestrian Gallery, Leicester. New Mills Art Trail 2012 14-30/9/12. Open Drawing Exhibition, One Church Street Gallery, Great Missenden, Buckinghamshire, 13/10-17/11/12. Was There Ever…? Solo Exhibition, The Y Centre, Leicester 8 -30/1/13. In The Woods (2013), Kent. House of Voodoo,pres...

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timneath | Tim Neath - Visual Artist

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Tim Neath – Visual Artist. Making Revisions Update (4/9/16). September 4, 2016 Categories: Works in Progress. Cowboy and Indian Figures. Cowboy and Indian Toys. Making Revisions Update (3/9/16). Yes I have finally made a start on the long anticipated snow massacre sequence which I produced an animatic. September 3, 2016 Categories: Works in Progress. Cowboy and Indian Figures. Cowboy and Indian Toys. Fortunes Fool – Political Playmobil. After my thoughts regarding the direction of my work, I couldn&#8217...

5

Mommie Dearest (1981) | Tim Neath - Visual Artist

https://timneath.wordpress.com/2014/09/16/mommie-dearest-1981

Tim Neath – Visual Artist. There’s an image of. The morning after she won her Best Actress Oscar for. 1976) sitting on a white chair behind a swimming pool. Already having a decent career behind her, from the mid-late sixties through to the radical questioning seventies. I wonder how she views that photo today, a career that was indeed on the up, crystallised by that achievement, recognition by her peers. Turning later to. 1981) based on the autobiography of. Daughter stated, disowning the film. Taki...

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PTA, Pynchon, Pianosa – Initial Responses to Inherent Vice (2014) by Paul Thomas Anderson | After Images

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PTA, Pynchon, Pianosa – Initial Responses to Inherent Vice (2014) by Paul Thomas Anderson. January 19, 2015. By comparison as a similar struggle, is the better film, and actually looks like a masterpiece from this vantage point. By severing its ties with the book, ignoring the need to render its contents with stringent fidelity, the film takes on its own characteristics as a surreal fever dream where what’s truly happening remains mysterious. Dips into surreality better than. Is written all over. Had jus...

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Ballroom Blitz – They Shoot Horses, Don’t They? (1969) by Sydney Pollack | After Images

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Ballroom Blitz – They Shoot Horses, Don’t They? 1969) by Sydney Pollack. June 28, 2016. After my most recent viewing, showing it to a friend who’d never seen it, the screen went black as it always does, the echoing sounds of the audience and the emcee in that hellish ballroom suddenly cut short, leaving us in a state of aghast bewilderment and astonished anger. My friend finally blurted: “Well, fuck that movie! I last under these circumstances? Who would I choose to be my partner? Requiem for a Dream.

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Confused States – Mars Attacks! (1996) and Tim Burton’s Lack of Focus | After Images

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Confused States – Mars Attacks! 1996) and Tim Burton’s Lack of Focus. October 23, 2014. It’s hard to find logic in things sometimes. That’s why I can’t analyze things too much, because it often doesn’t make much sense. I wouldn’t know a good script if it bit me in the face. Towards the end of. As a revelation, that Mr. Burton didn’t quite know what he was doing. He could line up the look and get some. Saves the day, even if it’s to serve his own needs. (. Was the first hint at Burton’s true lack of focus...

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Personal Dissolution – Night Moves (1975) by Arthur Penn | After Images

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Personal Dissolution – Night Moves (1975) by Arthur Penn. April 1, 2015. As its narrative, drowning in subterfuge, hunches dashed, deceits spread as far as we can see, with one of the more glaring tools of symbolism in modern film staring back at us with a cruel self-satisfaction: a boat with the name POINT OF VIEW circling the water aimlessly. The boldness of. The Killing of a Chinese Bookie. April 1, 2015. Lonely Crowd – Nashville (1975) by Robert Altman. Loose Ends and Needle Points – Jesus&#821...

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Waiting Rooms – The Shining (1980) by Stanley Kubrick | After Images

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Waiting Rooms – The Shining (1980) by Stanley Kubrick. June 2, 2015. Note: Like any of my absolute favorite films, any entry for. Is sure to be only scratching the surface, so consider anything that follows as a work-in-progress entry. Is what happens. Everything stops. Outside the hotel walls is the mechanical groaning of Dick Halloran’s approaching Snowcat and the moment goes silent. It could be a moment from. Remains, for me anyways, a rather straightforward piece, and an uncommonly beautiful one at t...

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‘Round and ‘Round – Magnolia (1999) by Paul Thomas Anderson | After Images

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8216;Round and ‘Round – Magnolia (1999) by Paul Thomas Anderson. December 19, 2014. Became a summation of his incomparable vision up to that point, clearly revealing a pathway having been paved by the films preceding it, so was. To the Anderson canon. And the comparison to Altman is especially apt here since so much of the film is an act of homage to his legacy, especially in its structural similarities to. 8211; the L.A. sprawl, the commonplace grasped with a. McCabe and Mrs. Miller. December 19, 2014.

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Lonely Crowd – Nashville (1975) by Robert Altman | After Images

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Lonely Crowd – Nashville (1975) by Robert Altman. June 5, 2014. Disclaimer: It is nearly impossible for me to simply write an entry for. Has been mine for years. The best I can do is add to this intermittently, little observances here or there like a notebook, to add to a larger picture. It may not seem coherently organized but I suppose its a way of using the film’s own approach as a means to understanding it. 1 The Lonely Crowd. Be happening at any moment. Altman wants. June 5, 2014. Square One –...

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Out of Reach – Heaven’s Gate (1980) by Michael Cimino | After Images

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Out of Reach – Heaven’s Gate (1980) by Michael Cimino. July 22, 2014. I finally sat down before it, the legendary debacle, the abused masterpiece, the ragged monster that allegedly changed how movies were funded in this country due to the massive hubris of its director and the wayward results that left audiences and critics cold, if not outright hostile. Takes all the blame, leaving Spielberg’s. One From the Heart. New York, New York. Deserved all the praise heaped on it, and finally seeing. During my pr...

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Double Fantasy – Brazil (1985) by Terry Gilliam | After Images

https://michaelhawthornesmith.wordpress.com/2016/06/28/double-fantasy-brazil-1985-by-terry-gilliam

Double Fantasy – Brazil (1985) by Terry Gilliam. June 28, 2016. Centered on the world of a child and his escape from a closed-minded modernity through the outlet of imagination and all the while remained an accessible, family-oriented picture with a twist. To be a vision of a near-future instead of its intended representation of the very century in which it was made, plainly Gilliam’s litany of concerns and exasperations with society at large. Is a truly nightmarish vision at its core, of feckless humani...

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Hall of Mirrors – Stardust Memories (1980) by Woody Allen | After Images

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Hall of Mirrors – Stardust Memories (1980) by Woody Allen. May 20, 2014. Very early on in the dizzying. And all the way up to. When it comes to the reductive trope of Woody either making ‘serious’ or ‘funny’ films, I tend to back away and instead look at each film as a kind of weather report on his soul. One can see Bergman all over. Has always felt like a breakdown in its own right, as startling a change of pace as. From Charlie Chaplin. After the freeze-out of. Release) there appeared to be a change in...

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Tim Neath – Visual Artist. Hateful Eight (2015) trailer thoughts. A day late I admit, nonetheless I have to share my thoughts about the first trailer that shows footage from. 2015), which is very much promoting 70mm film. Even the trailer retains that dimension, whilst focusing mostly on both. Samuel L. Jackson. John ‘The Hangman’ Ruth. In what appears a real departure from. 2012) very much a western blaxploitation film. Here we have something more mainstream, crossed with. Samuel L. Jackson. A man of ac...

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