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Wynne Patterson, Inc.
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Homepage - Tool at Hand | toolathand.org Reviews
https://toolathand.org
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toolathand.org
David Clarke - Tool at Hand
http://toolathand.org/artist/david-clarke
The Tool at Hand. We question the material. However, do we take a moment to think about the tool? David Clarke underlines the importance of irreverently using tools in order to explore their boundaries. What’s fantastic is I have to give up a lot of the responsibility. For me, it feels natural moving my work out of the classic silversmithing environment and into the kitchen. Cannon A134D/U Domestic Cooker. I lose some control, but what I gain is what I’d say is a new visual language for silversmithing.
Jon Prown - Tool at Hand
http://toolathand.org/artist/jon-prown
The Tool at Hand. To craft a work of art with a single tool immediately prompted me to think about the most fundamental elements of working wood. Chopping out a log for a utilitarian function is, at heart, a primal and strangely logical act. I quickly discovered how fortunate I was to have such a sophisticated, well-engineered, and well-conceived little blade. Flex Cut Hook Knife. Rather than being a limiting assignment, the one-tool act was, in fact, quite liberating and inspiring.
Liz Collins - Tool at Hand
http://toolathand.org/artist/liz-collins
The Tool at Hand. I must do it carefully or I hurt the machine. I like the idea of employing force to a delicate piece of equipment, teetering at the edge of breaking it. I am very interested in the dance one does with a machine. My tool’s limitations are what inspire me to invent and ask it to do the unconventional. I choose this way of working because it allows me to produce complex objects impossible to produce in any other way.
David Gates - Tool at Hand
http://toolathand.org/artist/david-gates
The Tool at Hand. In one sense the tool at hand is something ubiquitous, quotidian. One of the things I realized about my own body memory and my own interaction with tools in the workshop is that we have a kind of choreography with our tools. In the saw, I see character or presence. Is a pencil a tool? I bought a saw and decided to evolve it into something that would have different sets of things it could do. This isn’t an answer, but as with much that is worthwhile, it raises yet more questions.
Chad Curtis - Tool at Hand
http://toolathand.org/artist/chad-curtis
The Tool at Hand. It is very different to read about statistics of homelessness than to be homeless. I think that there is a potential that resides in this tool in the same way that potential resides in a hammer. For me the idea of folding a tool upon a tool is really interesting. The resulting objects, similar to a graph, can be touched and held and take on a physical nature that data often loses.
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madesignermaker.wikispaces.com
madesignermaker - Recommended reading
http://madesignermaker.wikispaces.com/Recommended+reading
Skip to main content. Get your Wikispaces Classroom now:. The easiest way to manage your class. University of the Arts. An Object Bibliography.pdf. Eternally Yours: Visions on product endurance. The 1997 version) collection of essays. Camberwell College of Arts. MA Visual Arts, Designer Maker. Recommended reading (October 2012). Design and Applied Arts history/theory. Adamson, G. (2007). Adamson, G. (ed.) (2010). Attfield, J. (1999). Utility Reassessed: The role of ethics in the practice of design. At Ho...
WHAT I DO/CV | Helen Carnac
https://helencarnac.wordpress.com/what-i-do
Helen Carnac is a maker, curator and academic who lives and works in London. Drawing, mark-making, the explicit connections between material, process and maker and an emphasis on deliberation and reflection are all central to her practice as a maker and thinker. I have developed my own philosophies for thinking about these things through walking, talking and making by using an understanding/awareness of place through tracing the histories of making, industries past and present of a particular place and b...
Writing | David Gates Studio Workshop
https://davidgates.wordpress.com/writing
Somewhat paradoxically I am doing this within the framework of a recognised academic structure the thesis-based PhD. My principle reason in adopting a genre that appears so different to what I am studying everyday talk, is to bring rigour and analysis to the framing of a subject that might be described as unplanned, contingent, and ephemeral qualities that also lend talk its beauty and peculiarity. I am currently five years into a programme of part-time study at King’s College London. My research can...
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Too Late, Trotsky. Twenty-something poet and beer nerd suffering from extreme internet tendencies. Ldquo;Fishing for Compliments”, mondaypunday.com. This is my new favorite thing. When digital tv info glitches are more accurate than the actual show info. We never understood the world less than we do now nor, as we understand it, liked it less.". Imagine a muggle-born Hogwarts student during a Yule Ball enchanting various musical instruments so that they play the Macarena. EVERYBODY CLAP YOUR HANDS. As a ...
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Homepage - Tool at Hand
The Tool at Hand. What would it be like to create a work of art using only one tool? I am interested in marks, the things that have been left behind. What interests me is building in the element of risk. Being confined is strangely liberating. I chose to allow the final artwork to remain as a set of tools. But I am only creating a virtual object. Two hits on air one on steel, two on air one on steel. This brush was not a risky brush. I had to fight with the tool. Flex Cut Hook Knife.
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