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April Biggs | Dance

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April Biggs | Dance | aprilbiggs.wordpress.com Reviews

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October | 2015 | April Biggs

https://aprilbiggs.wordpress.com/2015/10

Images: Walter Lee and Ralph Lemon. Playing around with some ideas and images while getting to know Photoshop. Asymp; Leave a comment. Asymp; 4 Comments. A Review of Jan Martens’. Would be its most perfect metaphor. An audible pulse is seeping into the space. On the back wall appears the text:. As long as you are here I am too. I do not know how long it has been there. A persistence of eye contact between the characters threads together. A third section begins the end of. Asymp; 1 Comment. Citizenship&#4...

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Citizenship as Choreography | April Biggs

https://aprilbiggs.wordpress.com/2015/10/20/citizenship-as-choreography

Asymp; 1 Comment. What is this idea of citizenship and how does it apply to me? How does it apply to choreography? Where does one look to determine the nature of one’s citizenship? How does one develop the ability to see it? I keep hearing this term, citizenship, from Bebe. It seems to have a very specific meaning to her. Citizenship. = the character of an individual viewed as a member of society; the state of being vested with the rights, privileges, and duties of a citizen=. An inhabitiant, a civilian.

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Citizenship as Choreography | April Biggs

https://aprilbiggs.wordpress.com/2015/10/20/citizenship-as-choreography/comment-page-1

Asymp; 1 Comment. What is this idea of citizenship and how does it apply to me? How does it apply to choreography? Where does one look to determine the nature of one’s citizenship? How does one develop the ability to see it? I keep hearing this term, citizenship, from Bebe. It seems to have a very specific meaning to her. Citizenship. = the character of an individual viewed as a member of society; the state of being vested with the rights, privileges, and duties of a citizen=. An inhabitiant, a civilian.

4

An Intersection with Cunningham | April Biggs

https://aprilbiggs.wordpress.com/2015/12/16/an-intersection-with-cunningham

An Intersection with Cunningham. Asymp; Leave a comment. The Dancer and the Dance:. Merce Cunningham in Conversation with Jacqueline Lesschaeve. London: Marion Boyars Publishers Ltd, 1985. Print. Larr; Previous post. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. An Intersection with Cunningham.

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The Persistence of Persistence | April Biggs

https://aprilbiggs.wordpress.com/2015/12/15/the-persistence-of-persistence

The Persistence of Persistence. Asymp; Leave a comment. One of my primary reasons for attending graduate school is to focus on and deepen my choreographic work. It follows then that I would be in a Composition course during my first semester. Surprisingly, what did not follow was an immediate connection to the content of that course. What are we looking at when we observe another’s making? What is the input that occurs while making? Before I reflect on my shifts through the dance-making process of the cl...

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About | The Fred Step

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The Fred Step in its original context, is a series of ballet steps that British choreographer Sir Frederick Ashton once saw the legendary ballerina Anna Pavlova perform. As an homage to the dancer that inspired him so greatly, he included what became known as the Fred Step as a signature in most of his ballets. Ultimately, I hope to use this place as a space for reflection, clarifying thoughts, and maintain conversations about dance–not just Ashton, I promise! All the best,. How do I follow your blog?

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Ghosts in Dance | the headtail connection

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Ask a PhD Dancer. September 16, 2014. I was invited earlier this year to be part of a national conference on U.K. higher education. Did you get the joke? Maybe not. You have to have had some Laban training. The joke is that the entire presentation is organised as the performance of one of Laban’s own movement scales, and the text is related to the positions prescribed by the training execise. For more information on the rest of the Ghosts in Dance pannel and its conclusions, links are on their way. You a...

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fensfeet | the headtail connection

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Ask a PhD Dancer. All posts by fensfeet. Grad School Plus – Boats and Goats and Getting a Job. October 7, 2016. This week, I’ve been reading about an institution that has violently opposed every kind of educational technology. That has locked up and restricted access to books. That imposed a ban on private, silent reading to prevent the uncontrolled spread of information no I’m not talking about Trump’s campaign management, I am instead talking about universities! On the process of tenure. To maintain go...

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Donate | the headtail connection

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Ask a PhD Dancer. Have you enjoyed the blog? Would you like to show your appreciation? Could you help with the cost of books? If you have a dollar or two, please consider donating to my research fund at: http:/ www.gofundme.com/headtailconnection. All donations, no matter how big or small, will go directly towards my research, and will be credited here on the blog. Thank you! Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Ask a PhD dancer.

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Fenella Kennedy | the headtail connection

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Ask a PhD Dancer. Century, she has the barefoot blues, and always has time for deconstructive play. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. You are commenting using your Google account. ( Log Out. Notify me of new comments via email.

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Introduction to comm lag – conversation magic! | the headtail connection

https://headtailconnection.wordpress.com/2014/10/30/introduction-to-com-lag-conversation-magic

Ask a PhD Dancer. Introduction to comm lag – conversation magic! October 30, 2014. Credit: I was introduced to the concept of comm lag by Ted Madry Andrew Smith, who re phenomenal social dance teachers. You can keep up with Andrew at Life of a Southpaw. What is comm lag? Obviously this will depend hugely on context: you’ll generally be able to respond quicker to How are you? Than to What were the five most significant moments of your life between the ages of 3 and 10? What is comm lag NOT? Comm lag is no...

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Shaking the Dancer’s Toolkit | the headtail connection

https://headtailconnection.wordpress.com/2015/08/13/shaking-the-dancers-toolkit

Ask a PhD Dancer. Shaking the Dancer’s Toolkit. August 13, 2015. CORD conference I watched a presentation by Julia Gleich on her Counterpointe project a series of performance platforms in London and New York for female choreographers making work on pointe. It attracts a delightfully mixed bag: experienced dancers, new choreographers, medium-mixers and bunheads. It also attracts questions: why ARE so few women making work on pointe? What does pointe work mean anyway? I had a lot of fun at CORD. If you’ve ...

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BibleInOneYear | Discoveries from my first journey through the whole Bible

Discoveries from my first journey through the whole Bible. Skip to primary content. Skip to secondary content. September 23, 2012. English: Solomon and the Plan for the Temple, as in 1 Kings 6, illustration from a Bible card published by the Providence Lithograph Company. I am more than two-thirds of the way through the Bible now. The passages for this week were John 13-15, Numbers 13-16, I Chronicles 20-24, Psalms 105-107, Proverbs 22, Joel, and II Timothy 3-4. Don’t exploit the poor. September 16, 2012.

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April Biggs | Dance

An Intersection with Cunningham. Asymp; Leave a comment. The Dancer and the Dance:. Merce Cunningham in Conversation with Jacqueline Lesschaeve. London: Marion Boyars Publishers Ltd, 1985. Print. The Persistence of Persistence. Asymp; Leave a comment. Bebe Miller’s Special Topics in Composition class opened with questions and discussion circling the multiplicity of application and reception in process and performance. This intrigued me. What are we learning through making? My own choreography. For th...

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